A Quote by Luke Roberts
Playing the greatest warrior in the seven kingdoms, that's absolutely no pressure. It didn't help, during the casting, the director kept saying, 'Remember, you're the most legendary swordsman ever.' I said, 'Great. I'll try and convey that in my four lines of dialogue.'
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Playing the greatest warrior in the seven kingdoms, that's absolutely no pressure.
When 'The Master' came around, they said they wanted to try and find a part for me, and I got a text from the casting director saying that.
Before he played CIA Director Saul Berenson on 'Homeland,' a much younger Mandy Patinkin gained some fame as Inigo Montoya, a legendary swordsman, in 'The Princess Bride.'
If you will move now, within the next three years the land you find yourself in will be producing great treasures. In the third year, the War of the Kingdoms will begin, and Kingdom will rise against kingdoms. The kingdoms of this world will also come into great conflict. I have a Kingdom that I am preparing. I will remember this Kingdom and the Seed and the Seed's seed of this Kingdom. I have a Kingdom that will triumph! Shout that the kingdoms of this earth are becoming My Kingdoms!
Now, everybody knows the basic erogenous zones. You got one, two, three, four, five, six, and seven. ... OK, now most guys will hit one, two, three and then go to seven and set up camp. ... You want to hit 'em all and you wanna mix 'em up. You gotta keep 'em on their toes. ... You could start out with a little one. A two. A one, two, three. A three. A five. A four. A three, two. Two. A two, four, six. Two, four, six. Four. Two. Two. Four, seven! Five, seven! Six, seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! [holds up seven fingers]
It's an ethical pact I've made with myself and with the reader - not to invent. And when I can't remember, I say I can't remember. I'm just appalled by the memoirs published by people who regurgitate dialogue, conversations from when they were small children, and they go on for three or four pages. I can't even remember what we said to each other ten minutes ago! How can I remember what was said sixty years ago? It's not possible.
One of my biggest fears as a director is that everything is taking too long on camera. The actor saying their lines, the silence between lines, the length of time it takes to walk from A to B. So you try it at different speeds and then see what sticks in the edit room.
When you're the director and the writer, you never have to remember your lines, and there's no one to call you on it. On Garden State I did different lines on every take, just making crap up. And it was great each time.
I was modeling while I was in university and my agency said, 'There's this fashion campaign, can you go?' And I didn't want to; I told him I wanted to focus on my acting, but I ended up going, kind of dragging my feet, and it turns out, the casting director for it was the casting director for Lars von Trier's new movie.
My mother became a casting director, and she cast me in a soap opera called 'One Life to Live.' I was, like, 8 years old, playing a kid who had hurt himself on a skateboard. I had, like, three lines. I did the lines, and everybody in the studio applauded - I was immediately hooked after that. I was like, 'This is the life for me.'
I ad lib most of my dialogue. If I did remember my lines, it would be too bad for me.
A very poor kid came up to me after a talk and said 'I want to go blow up a factory.' I asked how old he was and he said 17. I said 'have you ever had sex?' He said 'no.' I said 'just remember if you get caught you aren't going to have sex for twenty years at least.' That's not saying that one person having sex is worth the salmon. I'm not saying it's a reason not to act, I'm saying don't be stupid.
I remember a kid throwing an orange at the back of my head in Spanish class and calling me four-eyes, and I remember saying, I said, 'That's true, and I have two more eyes than you.' I felt like it was better. If I have four eyes, I'm twice as good as you.
Allison Jones, a big casting director out there, was like, 'They're casting 'The Daily Show' right now - you should submit a tape.' I remember leaving school to go shoot an audition.
My agent said, 'Jerry, Dancing With the Stars - they want you on there.' I said, 'Ain't no way. I'm not going to do that.' Then he came back to me again, and he kept putting pressure on me. I said, 'All right, I'll give it a try.'
I was in a commercial when I was three. My godfather was a director and a producer of commercials. He took me in along with his kids and I couldn't remember my lines. I giggled my way through the commercial and they kept it.
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