A Quote by Luke Rockhold

I'm not one to turn down opportunities. — © Luke Rockhold
I'm not one to turn down opportunities.
In business, staying focused requires that you turn most opportunities down.
Sometimes, we are so attached to our way of life that we turn down wonderful opportunities simply because don't know what to do with it.
All this new stuff goes on top turn it over, turn it over wait and water down from the dark bottom turn it inside out let it spread through Sift down even. Watch it sprout. A mind like compost.
I was down after divorce - I was all the way down. And I just felt like, "God, I gotta turn this around. I can't go down like this. I have to know that this is happening for a reason." And I knew that I had to turn to music.
I am not interested in considering another TV series. This one was a wonderful experience which will be hard to top, and It's caused me to turn down several good film opportunities because of the schedule.
I couldn't turn down The Rolling Stones. A real man would never turn down the chance of working with legends like them.
Whenever we don't turn the ball over, we're pretty productive. When you're turning the ball over, you're cutting down on offensive opportunities.
Architects are pretty much high-class whores. We can turn down projects the way they can turn down some clients, but we've both got to say yes to someone if we want to stay in business.
I’ve always assumed that the abstract qualities of [my] photographs are obvious. For instance, I can turn them upside down and they’re still interesting to me as pictures. If you turn a picture that’s not well organized upside down, it won’t work.
We have a real role in how our own collective lives, our nation, and our world and society turn out. Seizing those opportunities is important, and disasters are sometimes one of those opportunities.
I had opportunities to be a lot more successful, but for some reason or other - the way I was particularly genetically wired - I turned down a lot of opportunities.
The most common reason that I turn down a film project is because of my schedule. If I can't devote the time to a score that it deserves, I'll pass. I'll also turn down a film if its moral position is different than what my own understanding of right and wrong.
I wanted to turn everything off, too. Just press a button - click - and shut myself down. Turn off my heart, turn off my mind, turn off my body - just lie there, senseless, like a dormant tree in winter, waiting for the spring to return.
I think it's still hard for me to turn down work if it's really good because for so many years I was so desperate to get a job and couldn't and so it's kind of an anathema for me to turn down work.
I still take way more jobs than I turn down, and the reason that I turn down a job is that I just can't find anything in it that charges me or excites me or challenges me about moving to the next phase of where I'm headed.
When you're looking for good lyrics, you turn to Kendrick Lamar, you turn to J Cole, you turn to Wale, you turn to Chance the Rapper, you turn to Rapsody. You don't turn to Post Malone.
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