A Quote by Luke Rockhold

I want to put on performances no one else has. I want to be flawless every time. — © Luke Rockhold
I want to put on performances no one else has. I want to be flawless every time.
I don't want to let ourselves down, so we put extra time, extra effort into every single thing we put out. I think that's why it takes a bit of time for us, but we really want to perfect the quality of the stuff we put out, so we can be represented to the world as a K-pop group.
I've wanted you from the moment I first saw you in the museum. Before that. I wanted every part of you from the first time I felt you, your presence. I want you in the sky, and against the earth. I want to kiss you again, I want to touch you, I want to feel you in my arms and I want to hear you gasping my name when I'm inside you. I want all that, and I want it badly. Every time I look at you, I want it. So you're going to have to become used to that, Rue. It won't change." (Christoff to Rue)
A lot of the people I'm working with are not actors, or it's their first time in a movie. I'm not trying to shape performances, coax performances out of them. It's more like I want to put them in situations that naturally work or allow them to be themselves. If it's not happening, I'll just completely switch it up, rather than trying to make it work.
I want to have complete control over every media so that when I make my record I put on it what I want to put on it. Not what society wants me to put on it.
You want to be as dominant as possible and you want to put some doubt in the hitters' heads. That's what I'm trying to do every single time I'm on the mound.
I want every idea I have to make me money. I want every post I write to have 10,000 Facebook likes. I want every talk I give to have people laughing at all the right jokes. I want everyone to like me all the time.
My business is to perform on the pitch, to put in performances and that is what I want to do.
It's important for me to put out things that I think are good - I want to be a fan of my own stuff. I also want my live shows to be really awesome, and dance is such an important element for me and my performances.
Every artist picks what they want to put out there, what image they want to portray, and what they want people to know about where they're from.
Every time I go on stage, it's like a first date. I put on my best clothes, shave, and get as handsome as I can. Then I say the cutest things I know to say, and I become the very best Bill Medley I can be because I want to win my date over. My audience is the date that I want to impress every time.
I can make a record like the [previous] one I put out, but I don't want to do that because I want to set the bar so high for myself. I don't want to do it like everyone else.
I want to be back every year. If I don't go, I want it to be because someone else just was having a great season. I want it to at least be a close call.
The great thing about having spent all this time on film sets is that I've been able to watch directors and how they work. I now know that this is what I want to do as well: to tell stories visually. But it's definitely my vision that I want to put across, nobody else's.
As a player I have to be ultra-careful, especially in supermarkets. How often does somebody pick up something, realize they don't want it and put it back for someone else to touch. So yes, I put my mask and gloves on to be safe because you don't want to get ill, do you?
I've been lucky enough to do a lot of very interesting things, and every time, I've been like, 'I want to put everything into this because I want to see how far I can go with it.'
Like everyone else, I want to be challenged. I want to find out whether or not I am a coward. I want to see how much effort I can put out . . . what I can endure . . . if I measure up. Running allows that.
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