A Quote by Luke Wilson

You're making movies for 15 years and now people are like, 'You're the AT&T guy.' — © Luke Wilson
You're making movies for 15 years and now people are like, 'You're the AT&T guy.'
Any standup that you see who you go, 'Oh, wow, that guy's, you know, that guy's making it.' Inevitably, they've been doing it 10, 12 years - 10, 15 years. Because it takes time.
It's funny, like 15 years ago when I was a kid doing all the John Hughes movies, I remember Bruce Willis was the only guy who was transitioning from television into film.
I hope to give you at least 15 more years of movies. I`m not going to be this old guy that keeps cranking them out. My plan is to have a theater by that time in some small town and I will be the manager this crazy old movie guy.
I was lucky enough to have made a tonne of mistakes and be kind of frustrated. I was working in the movies for 15 years before I did 'Paranormal Activity,' so I was lucky enough to have that experience. So instead of trying to make, like, 'Godzilla' after 'Paranormal Activity,' I said, 'Let's keep making inexpensive movies.'
I've been obsessed with making movies since I was 15. I watched a lot of movies when I was young, and I decided that I wanted to do that because I was a passionate kid about watching movies.
I'm excited that 'The Good Guy' is getting distribution because indie movies they're not - people ran out of money and they're not making these movies anymore. It's all superhero movies or real obvious tent pole studio films.
EDM is, like... Event-Driven Marketing, I think, is the acronym there. It reminds me a lot of disco. That had some hang-time, like, 10, 15, 17 years tops... Not too many people are forward-thinking about electronic music. They're just kinda like, 'Now, now, now - do it, do it.'
I thought about making movies. It hit me when I was about 14, 15 years old.
Pretty early on in making the first movie I realized that this is what I wanted to do. I felt like by that time I just found my niche, like this is what I was supposed to be doing. So I completely submerged myself into the world of watching movies, making my own movies, buying video cameras and lights. When I wasn't making a movie, I was making my own movies. When I wasn't making movies, I was watching movies. I was going back and studying film and looking back at guys that were perceived as great guys that I can identify with. It just became my life.
I was just this video-store guy and now I was actually making movies and stuff.
Some of the top grossing movies now are children's animated features, they're making more money than action movies. And you'd never find a Hollywood A-lister years ago doing voice-overs for those films and they do now. You know why? Because everybody's got a price.
A lot of the people that stop you - well, they're not nuts, exactly. They're more like super-fans. They think that I'm some sort of rich guy, that everyone in the movies is making the kind of money Angelina Jolie is making. They don't realize that most of my life has been a struggle.
Many years ago making movies was something. It was the major entertainment just to go to the cinema, once, twice a week. At the time, something like 400 million people went to the movies.
It seems crazy moving from making little movies to making like literally movies with Marvel, which are like the biggest movies that they make.
When I was eight years old, I asked my mum, 'Mum, can I do two jobs?' And she was like, 'Absolutely!' 'Cause I'd like to act for 15 years and then direct for 15 years.'
I've been making movies for a long time. The Japanese way of making movies has become second nature to me. To get away from that, I really try to surround myself with younger staff and approach making movies not like a veteran of the industry but always as a beginner and a rookie.
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