A Quote by Luke Wilson

You can get pigeonholed in Hollywood and people think of you in a certain way. — © Luke Wilson
You can get pigeonholed in Hollywood and people think of you in a certain way.
Yeah, there's a tendency to get pigeonholed in Hollywood.
In Hollywood, you tend to get pigeonholed to certain genres, and then when you try to do something different, it's not always so easy. Obviously, you don't want to keep repeating yourself, all the time. So, it's a constant struggle for every filmmaker and actor to find something that you can really feel passionate about. It's a profession like anything else.
There's nothing in Hollywood that's inherently detrimental to good art. I think that's a fallacy that we've created because we frame the work that way too overtly. 'This is Hollywood.' 'This isn't Hollywood.' It's like, 'No, this is actually all Hollywood.' People are just framing them differently.
You get pigeonholed by what you sort of look like. And I don't mean this in a self-deprecating way. I'm grateful for any opportunity to act. But I think that if you're not classically attractive or mainstream attractive, especially as you get older, there's only like three jobs that people think you do. Like, "police officer who may be gay." District attorney is a big one. Lawyer. Doctor.
A lot of people get pigeonholed because it makes it easier to understand them - or assume you understand them. I think the way you break away from that is by constantly doing different jobs.
When you do what I've done - the normal Hollywood way, where you let people do things for you - and then you make certain choices where you have to learn to do it for yourself, which is how you should do it, it caused me to get way behind in stuff. I wouldn't change a thing because it's been a very important learning thing.
I don't know what the misconceptions are, but I approach a small budget, artsy, independent movie in the same way as a big budget, commercial Hollywood movie. I don't get into those [details]. I have to get into my character and I concentrate on that, on the story, on researching, and on certain training if I have to be prepared physically. I think that's the most important thing.
I think - a lot of times in hip-hop, especially - artists get kind of pigeonholed into being 'the guy,' and it's kind of limiting in a way.
People get all caught up thinking they have to train a certain way or take a certain approach to things, but there's so much more to this than fitting into what other people think you are supposed to do. You have to have fun and enjoy what you are doing; otherwise, what is it all worth?
I always thought it'd be cool to portray these certain things, make people feel a certain way. I was kind of fascinated with that, but I wasn't the type to do acting school or theater. I didn't have the best views of Hollywood, so it wasn't something that I was going to try and pursue.
There are worse things than getting pigeonholed in Hollywood.
After 'Radio Flyer,' to this day, every family-oriented script or script with kid actors comes across my desk. That's just Hollywood: you get pigeonholed, and it's both a blessing and a curse, but you live with it.
Often you get pigeonholed because of the way you look.
I think everybody's got a presentation. Everybody looks a certain way because they want to convey a certain image. You look a certain way because you want people to listen to you in a certain way.
I don't like to get pigeonholed. I don't like it when people think they have you sewn up.
Books are a really fun way to get yourself in a certain mindset or mood as an actress. Also, the way people tell a story is so revealing and I think it's important as an actress to see all the different ways people can unravel a story, and introduce the characters and the way people speak.
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