A Quote by Luljeta Lleshanaku
I come from a culture that was isolated for a long time - I have my own story to tell, in my own style, and an aesthetic approach that was mostly self-taught. So, does it fit a reader's curiosity? Will it meet their expectations?
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You've got to be a good reader. So whatever genre that you're interested in, read a lot of books about it and it's better than any kind of writing class you'll ever take. You will absorb techniques and then in a lot of cases you can just start writing using the style of the book or the author that you admire and then your own style will emerge out of that. Be a diligent reader and then try to write seriously, professionally and approach everything in writing in a professional way.
You should never, ever, let anyone tell you you're not good enough. You have a choice whether to meet others expectations of you, or strive to meet your own.
There is really no practical help that one can offer: it is a matter of self-discovery, of one's own conviction, or working with one's own work; your style is what seems natural to you. It is a long process of discovery, one that never ends. I am working at it, and will be as long as I live.
Realisation of love can never come so long as there is the least desire in the heart, or what Shri Ramakrishna used to say, attachment for Kâma-Kânchana (sense-pleasure and wealth). In the perfect realisation of love, even the consciousness of one's own body does not exist. Also, the supreme Jnana is to realise the oneness everywhere, to see one's own self as the Self in everything. That too cannot come so long as there is the least consciousness of the ego (Aham).
I have enjoyed a wonderful run in films, so far, and I may, at some point, come back. But it will be in my own time and in my own style.
I want to find my own rhythm and style. That's probably the harder way to approach it, but I think it will pay off in the long run.
My job is to form the people, the story, the sentences. Every reader will bring their own life and their own history to the story and shape it accordingly. I guess you can say it's like I am sending them a letter.
One of the remarkable qualities of the story is that it creates space. We can dwell in a story, walk around, find our own place. The story confronts but does not oppress; the story inspires but does not manipulate. The story invites us to an encounter, a dialogue, a mutual sharing. As long as we have stories to tell to each other there is hope. As long as we can remind each other of the lives of men and women in whom the love of God becomes manifest, there is reason to move forward to new land in which new stories are hidden.
Tell a story! Don't try to impress your reader with style or vocabulary or neatly turned phrases. Tell the story first!
I've been coaching the sport for a number of years. And I went through many athletes. Some athletes stay with your program for a long, long period of time. Some athletes, they have a different approach as far as coaching style or your philosophies. I totally respect their own opinions - they have the right to choose their own coach.
I have come to understand that the self, my self, is inherently sacred. By virtue of its own improbability, its own miracle, its own emergence. And so I lift up my head, and I bear my own witness, with affection and tenderness and respect. And in so doing, I sanctify myself with my own grace.
In my own life, I've written scripts that I want to direct, so I would love to take my own creativity in a way where I could tell my own story. That does inspire me, the idea of becoming a director.
The writing can be its own reward, as you discover more things that you can do. It counts a lot, though, when a story connects with a reader and they take the time to tell me about it.
We're not keen on the idea of the story sharing its valence with the reader. But the reader's own life "outside" the story changes the story.
We're not keen on the idea of the story sharing its valence with the reader. But the reader's own life 'outside' the story changes the story.
That's the downside of total creative control: You're isolated and after a while you can lose a little perspective. But I've taught myself not to listen to my own self-doubt.
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