A Quote by Luljeta Lleshanaku
Each language has its own temperament; some languages make a poem more dramatic or sad, and others make it more playful.
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Music was more fitted to my temperament. If you were feeling sad and down in the boxing gym, you'd get hit more than you would on a normal day. If you're feeling sad and down and you're sitting in front of a computer with beats, you might make the best song you've ever made.
I want each poem to be ambiguous enough that its meaning can shift, depending on the reader's own frame of reference, and depending on the reader's mood. That's why negative capability matters; if the poet stops short of fully controlling each poem's meaning, the reader can make the poem his or her own.
When people are out of their comfort zone, it’s more dramatic, more prone to have more entertaining experiences, get into fights. That’s the dramatic instinct, to move people out of what they know and make them deal with it.
The Greek language seems different than other languages. I'm not the only person to think this. Usually, I come up with some kind of dopey metaphor for why it's different. But it seems, somehow, more original, more like being in the morning of language.
There's a tremendous amount of language loss. Most of the attention is given to indigenous languages, which makes sense, but some of the most dramatic language loss is in Europe.
Music being “good or bad” is a flawed idea. Artists make what they want to make and we either connect with it or we don't. Just because we relate to some songs more than others doesn't make the others less valid, we just don't understand them. In fact, we aren't meant to, and that's all right.
I wish that I spoke more languages because I think each language is a window completely.
Logic, like language, is partly a free construction and partly a means of symbolizing and harnessing in expression the existing diversities of things; and whilst some languages, given a man's constitution and habits, may seem more beautiful and convenient to him than others, it is a foolish heat in a patriot to insist that only his native language is intelligible or right.
When I first set out to make movies, that's what I thought I was going to do - make movies that mean something. And each movie had its own message, some stronger than others. Even 'X-Men' has its own message of tolerance.
Obviously, if I'm reading in Vienna or Venezuela or Italy, there's the issue of language, and I will make choices that are more sound oriented. Or I'll try to incorporate those languages and occasions somehow.
Real life is a story, too, only much more complicated. It’s still got a beginning, a middle, and an end. Everyone follows the same rules, you know. . . It’s just that there are more of them. Everyone has chapters and cliffhangers. Everyone has their journey to make. Some go far and wide and come back empty-handed; some don’t go anywhere and their journey makes them richest of all. Some tales have a moral and some don’t make any sense. Some will make you laugh, others make you cry. The world is a library, young Poison, and you’ll never get to read the same book twice.
Each one is different. Each project is different. Some are silly, some are not. Some are more realistic, some are not. Some are overly dramatic, some are not. You've just got to try and find the thing that's most engaging and entertaining in whatever way, shape or form, and it's different every time.
Poetry is very playful with language. I think all poetry, at its heart, is playful. It's doing unusual and playful things with the language, stirring it up. And prose is not doing that. Primarily it's not attempting to do that.
In this life you make mistakes, and some people make more than others.
I loved languages, and loved learning languages. It was fantastic. But I was alone there. I remember that time as a real Virginia Woolf time. More than any language it was her language that influenced me.
Make your own worlds. Make your own laws. Make your own creations, your own star systems. Don't feel answerable to anyone, or as though you have to create after some preordained model. You don't have to write like myself, or King or Anne Rice: be yourself. Nothing is more wonderful than discovering a new voice, particularly if it happens to be your own.
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