A Quote by Lulu Wang
There's so little representation of people who look like me behind the camera that it makes you want to say yes to any opportunity out of desperation. It puts you in a situation where you can't make your best work. Diversity for cheap.
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I want to be the person who eventually doesn't have to be in front of the camera. I can be behind the camera and really change things cinematically, and this is giving me an opportunity to do something behind the camera, which I really want to maximize.
Tell a story with your eyes when you face the camera - it makes all the difference. My best tip for making skin look good in photographs is to go easy on the make-up. You don't want it to look heavy and mask-like.
We need to have more conversations about representation as well as the imbalance in terms of needing more women behind the camera and in front of the camera, and the diversity factor.
Now everyone's main objective of taking photographs is to have a photograph for Twitter or Facebook. I find that troubling. If you have an opportunity to meet the Dalai Lama, don't work out your camera or iPhone issues. Sit and a listen to what the man is saying, because nine times out of 10, you're not going to look at that photo. You're not going to look at the video. As a photographer, I don't carry a camera. I have my iPhone, but I don't carry a camera. I want to live.
I love the art history ones because it's so little work for me. There's so many paintings that when I look at them, the look on the lady's face is like so clear and her body language and her posture or their physical situation is so immediately recognizable. Anyone who's been in a conversation they didn't want to have, or been getting harangued by a little kid they didn't want to pay attention to or been tired and wanted to go to bed is just like, "Yes, of course."
'Drive for Diversity' puts people behind the wheel that would never have had the opportunity. Nascar sponsors individual teams who have a person of color, somebody who would not have the opportunity otherwise. And then they're noticed by bigger teams - it's like minor-league baseball.
Katherine Johnson never complained, it just was what it was. She just said, "I just wanted to go to work and do my numbers." And she stopped right there. I think about that as a Black woman in Hollywood when I'm asked about diversity. I hate when people say diversity because the first thing you jump to is Black and white. When you talk about diversity, you're talking about women being hired in front of and behind the camera. You are talking about people with disabilities, the LGBTQ community...so I hate when people think about diversity.
I guess I don't have a candidate who makes my heart go pitter-patter the way I wish it would. I'm thinking, here's an African American candidate - yes! And here's a woman candidate - yes! Why can't I get behind either one of them? Don't tell me I have latent sexism or racism that I need to confront. I don't believe that. I think we are so burned by the current situation that we want somebody that it isn't possible to have. We want someone who definitely looks like the messiah.
People want to complain... my point especially when it comes to racial humor is... we have that diversity, so I don't look at it like we are making fun of people, I look at it as how awesome is it that we can talk about this stuff, that we do have this kind of diversity, that we do live in a country that shows an array, unlike any other in the world.
You want to be confident when you work out because it takes a lot to make you work out. So many women really enjoy it, but it's a hard thing and you have to make yourself do it most of the time. I think you want to feel that you look good to make you want to work out a little bit more.
Being behind the camera you have control; you have the ability to make decisions for characters, for where the story line's going to go, how you want to put it out there, how you want to edit it. Acting is like where you paint on the canvas, and being behind the camera is like being either the paint or the paintbrush. They're both a part of the creative process, it's just that they have two different functions.
I think the crux of this urgent and real conversation about representation and diversity in art-making and storytelling both behind and in front of the camera ultimately has to do with simply seeing more human perspectives.
Diversity definitely makes the best wardrobe - you want to look in and see a range so you can always dress for your mood.
Find a way to say yes to things. Say yes to invitations to a new country, say yes to meet new friends, say yes to learning a new language, picking up a new sport. Yes is how you get your first job, and your next job, and your spouse, and even your kids. Even if it's a bit edgy, a bit out of your comfort zone, saying yes means that you will do something new, meet someone new, and make a difference in your life. Yes lets you stand out in a crowd, be the optimist, to stay positive, be the one everyone comes to. Yes is what keeps us all young.
With any of the movies I've had a chance to do, or any of the TV shows I've had a chance to contribute to, people approach me and say, 'Hey, would you like to do this?' I laugh out loud and say, 'Yes, that'd be funny.' Or, I'm very moved by what I read and say, 'Yes. How can I help you?'
Is it important to have a crew behind me? No, it's important to have me behind them. That's how I look at it. You can't just roll with a situation like you're depending on somebody to help you. You're supposed to help the situation, whatever the situation is that you're in.
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