A Quote by Lulu Wang

There have been moments where I laughed at my own family's culture, though it's hard to separate out whether something funny is cultural, or just my grandma specifically.
I always tend to remember the funny moments. When I lost my shoe (even though it was funny) there was something motivating about it, I just ended in this spastic emotional way. I tend to remember the more extreme moments.
We are trying to create a culture of excellence. To create that culture has been tough. It hasn't been there in Pakistan cricket for a while - whether that is cultural or a product of the environment, I am not sure.
Museums just seem to have this borrowed cachet—if I want to seem cultural, I will design something cultural. I resist the idea that culture is only opera houses or theatres. Culture is your entire life around you: toilets, the bus, the kerb or the dump where you drag your waste. Culture has come to mean the arts, but it’s swimming pools as well.
When I was in my teens, I thought, 'Would I like to try and work hard at being an actor, or do I want to work hard at doing something musical?' Acting won out, but I do really enjoy those moments where I get to just belt something out.
I think nowadays it doesn't really matter where we are physically located. We create our own culture around us to a large extent, whether it's what we're listening to, what we're watching, what we're reading - it can have very little to do with one's immediate cultural environment. We are in a global culture in that respect.
When we wrote 'Avenue Q,' we worked hard to create something that could be funny and satirical but also had some surprise moments of heart, moments when the music itself could become a central player and create something sweet and moving.
There was a big thing in the Behan family of achieving and wanting to be something special. There was a big drive in the family, even though it was poor and working class, to do something important, to contribute something to Irish culture. He certainly achieved that in a spectacular way.
My first CD that I had was the Ying Yang Twinz, and my grandma bought it for me. Honestly, I think my grandma got it from a thrift store or something. She just got it for me. It was in downtown Philadelphia. And I would listen to it. I liked it. None of my friends did, though, but I liked it.
Regardless of what I do, whether I write a book or whether I act or whether I host, I'll always do stand-up comedy because those moments, that's what I crave. If I do something funny, and I hear a crowd laugh in that moment, we're all sharing the exact same experience and the exact same feeling.
Most of my favourite moments in film have been when I've had an opportunity to say something from scratch, something original, whether I jotted down a few lines or it came out in improvisation.
Performance is really an important part of how I edit. I sometimes take something out because I realize I put in a joke just to be funny and the audience laughed, but I should be ashamed of myself. I sometimes take out sentences, which are perfectly fine on paper, just because they don't flow when I say them out loud. I always read my work out loud now.
I love my family and I love my kids, but when the moments come, it's not as though you can just substitute your own life with what you're doing on film. You have to go to some other place where it's bigger than your own life.
Life is hard enough, so when you can get any joy out of it, whether it's something you do on a day-to-day basis, or the people in your life, or going to see a funny movie, there's just nothing better. That's what life is about.
I believe there are people out there that just have a warrior spirit, whether it's fighting or something, they've got to do it. It's hard to identify with me; it's just something I do.
It's hard to describe one's own alchemy that makes one into a writer, but I definitely think American language is so interesting, and specifically Southern language and black Southern language; it's hard to separate Southern language from black language.
When I was in improv workshops or doing stand-up or writing comedy with others, or just doing comedy, I just laughed. Funny was funny; I loved to laugh. I always liked people I found generally funny.
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