A Quote by Lulu Wang
As the Chinese girl, you don't fit in with anybody. It wasn't a large Chinese-American population, so I didn't grow up having a community of Asian friends. Even when there were Asian people, we sort of existed on our own.
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The Chinese Student Association at Cornell put together their own play. It was all Asian people in the cast except for me, because they wanted to do a couple of scenes about an interracial relationship. I was the only non-Asian person on stage; the entire audience was Asian apart from my 10 friends that showed up.
There were so few examples of Asian or Asian-American lead characters on American TV or even in the movies. And the ones that have existed for so long were either stereotypical or offensive in some way, or just not reflective of the lives of people in the community.
I'm Asian-American, and I was the only Chinese girl growing up in a white school in San Diego. So I understood what it was like to be different, to always want to fit in and never feel like you ever could.
I always feel like people misunderstand the difference between an Asian story and an Asian-American story. That's completely different, too. I have friends who grew up in Asia, and our experiences are so different. Even though we might look the same, I feel like being Asian and then being Asian-American is completely different.
Growing up as an Asian American in this society, there were a lot of times where you feel isolated or out of place as an Asian. And growing up in White America, that's absolutely my experience. And I think that's why I got into acting because I wanted to be anybody else but Asian.
I wish people wouldn't just see me as the Asian girl who beats everyone up, or the Asian girl with no emotion. People see Julia Roberts or Sandra Bullock in a romantic comedy, but not me. You add raceto it, and it became, 'Well, she's too Asian', or, ‘She's too American’. I kind of got pushed out of both categories. It's a very strange place to be. You're not Asian enough and then you're not American enough, so it gets really frustrating.
The Chinese, on the other hand, were in the position of having an American military spy plane on a Chinese military base and they had their own internal problems to deal with. At first, the Chinese weren't all that belligerent. They were just stalling to get their own bureaucracy in line.
I grew up with white friends, Asian friends - Vietnamese, Chinese, Pacific Islanders. I had Hispanic friends, not just Mexican friends, but Guatemalan friends, Honduran friends, and we knew the difference, you know?
There's a misconception that I can't relate to the quote-unquote 'Asian-American experience' because I didn't grow up with an Asian mom and dad. And that's just not true. I am Asian American, and so playing a girl who is half Korean, half white, but her white dad tried really hard to connect with her mom's heritage - that's very familiar to me.
All of the Chinese people, the Asian people say, "Oh Yao Ming, you are all the Chinese, all of Asia's hopes." That's a lot of pressure. I'm just a basketball player.
Growing up as an Asian American, we're lucky to have two sentences in a history book about the Chinese-American experience.
I majored in Chinese. I was never really good at Chinese but I really, really benefited from having been exposed to Asian philosophy early in my life.
Does people not asking me about Asian American literature mean they don't see it as its own literary tradition? I certainly believe in it as its own literary tradition, because your race plays a great factor in how you are seen by the world, and how you see the world; the fact that I'm an Asian American isn't incidental to who I am as a writer. Where it becomes difficult is defining what, if anything identifiable at all, makes an Asian American book an Asian American book, other than the fact of its creator being Asian. And I'd argue that there is nothing identifiable beyond that.
In traditional Asian arts, the word and the picture always sit next to each other. I have an aunt, a Chinese brush painter, who told me that when you do a Chinese brush painting, you have to pair the image up with some poetry.
To fully understand the roots of anti-Asian prejudice in America, you need to know about the Chinese Exclusion Act of 1882 that banned all immigration from China, even though it was Chinese immigrants that had essentially built America's railroad system.
When I was growing up, Asians were so few and far between as to be almost invisible. And so the idea of an Asian American movement or an Asian American thrust in this country was unthinkable.
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