A Quote by Lupe Fiasco
I saw the dudes who would be the gangsta, big-time guys on the block, but would also be dedicated fathers. It was kind of weird to see that dual story that everybody has.
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I always saw two sides of life. I saw the dudes who would be the gangsta, big-time guys on the block, but would also be dedicated fathers. It was kind of weird to see that dual story that everybody has.
We would also go to musicals. So Singing In the Rain, On the Town, and West Side Story. Especially West Side Story because played that a lot before VCRs, so that would be something that would be a big deal if it came on, you caught it. So that really started, my family was not in show business at all but really loved that kind of thing.
Honestly, I would think I would go way back to Biblical times and be one of the guys who saw Jesus Sermon on the Mount. It would be so cool to see what he was really like in person.
Honestly, I would think I would go way back to Biblical times and be one of the guys who saw Jesus' Sermon on the Mount. It would be so cool to see what he was really like in person.
Guys like Spielberg and Zemeckis and really anybody who is a storyteller-filmmaker today has studied Hitchcock and the way he visually tells a story. He was the master of suspense, certainly, but visually you would get a lot of information from what he would do with the camera and what he would allow you to see as the story was unfolding.
I would say that Futurama: Bender's Big Score requires a lot of concentration to watch. It's a very complicated time-travel story. Part of the joke on that was just that the complexity would be over the top. This one is a more straight-forward science-fiction story, I would say. Alien invasion and people running in terror, that kind of thing, with a slight twist of there being an inappropriate physical relationship with the big octopus monster. We've got a straight-up science-fiction movie.
I would love to sign on to do a movie if it was the right role and if it was the right script, because I would be taking time away from music to tell a big grand story, and spend all of my time and pouring all of my emotions into being someone else. So for me to do that, it would have to be a story worth telling.
I was nervous during Radiohead, we thought that they would hate us. I think when we played in LA, one of the dudes from Entourage was in the audience, and that was kinda weird. If anyone would make me nervous it would be David Bowie, Neil Young, someone like that.
It's the people who work hard and earn big that keep the machine tipping for everybody else. If everybody else was equal down the bottom rung of a ladder, nobody would be on the ladder at all because it would break and everybody would fall off backwards. So you need people at the top to help pull those people up from the bottom. You can't take that and swing to the right. You can't have everybody living in the same ordinary $60,000 house because you may as well live in Russia, Bulgaria or some other Eastern block Communist nation.
I would hate to see a UFO. Because it would ruin my life. I would have to talk about it the rest of my life, and everybody in the room would go, "Poor Kevin." Because you could not turn your back on the idea that you saw it.
I don't know, when I was a kid, when I would see shows that changed my life, I would go to see shows where there was my mother taking us to see classic rock concerts, like Zeppelin, or when I saw Pink Floyd or when I saw, you know, when I was a little older, and I saw Nine Inch Nails, and I saw The Cure.
That's kind of the weird thing about Salad Days. I had to block time off from touring and tell my management and label like no press, no nothing. Let me make an album. You guys are running me dead.
We wanted to show people what it was like in one of those neighbourhoods that they would never have access to, in bars that they would be too scared to go into, and a world that they would never get to see. All of that is something really unusual and rare and kind of fascinating. And the only way to do that and to make it really worthwhile was that it had to be authentic. We dedicated a lot of time and energy to making that right and real. So we found basically the worst locations that we could.
I would say Will came at a time in my life where he saw beauty in me that I didn't see in myself at the time. And, you know, he saw a diamond in the rough and kind of, picked me up and blew off all the dust and said, 'I'm telling you, I'm going to make you shine, girl.'
When I was fighting at 170 I thought everybody was big. At the same time, I don't see guys as being too big for me as long as I can see them eye-to-eye.
I wanted to be a visual artist, but I realized I was more affected by what I read than by what I saw. I would go to a show at a museum and look at a painting and say, 'Oh I wish I owned that,' and that would be the end of my relationship with a painting. With a short story I would read or with an author I would discover I could be haunted. It would affect my mood and affect the way that I saw the world. I thought, wow, it would be amazing to be able to do that.
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