A Quote by Lupita Nyong'o

Part of being an artist is that you are always concerned you don't have what it takes. It keeps us honest. — © Lupita Nyong'o
Part of being an artist is that you are always concerned you don't have what it takes. It keeps us honest.
Part of being an artist is that you are always concerned you don't have what it takes. It... keeps us honest.
I think part of what makes us unique as artists and as singers is that we can bare our souls in front of millions of people That's the magic and power of being an artist. You can be honest. Always remember that. And do not be afraid.
We can't be useful to ourselves unless we're useful to others .... Anyone concerned only by his own well-being will suffer eventually. Anyone concerned with the well-being of others takes care of himself without even thinking about it. Even if we decide to remain selfish. let us be intelligently selfish - let us help others.
As much as we complain about it, though, there's part of us that is drawn to a hurried life. It makes us feel important. It keeps the adrenaline pumping. It means I don't have to look too closely at my heart or life. It keeps us from feeling our loneliness.
I think most artists find it difficult to part with their work but it's the parting that keeps us alive and keeps us working. In the case of the chariot, although it's been sold I actually still have it, just in another form.
When dams were erected on the Columbia, salmon battered themselves against the concrete, trying to return home. I expect no less from us. We too must hurl ourselves against and through the literal and metaphorical concrete that contains and constrains us, that keeps us from talking about what is most important to us, that keeps us from living the way our bones know we can, that bars us from our home. It only takes one person to bring down a dam.
It takes a lot of bravery to be authentic and honest and to take that social mask off in order to connect with another human being. So much of what makes us who we are is smoothed away online. And what truly connects us is the wrinkles, not the smoothness.
I have often spoken of integrity as the most important of these values, realizing that integrity – and personal integrity, at that – is being honest to yourself. If you are always honest to yourself, it does not take much effort in always being honest with others.
I don't know if I have a favorite part of being an artist. I do love being onstage and performing with my band. I also love rehearsing with them and creating the show, that's always a fun part. But there's also nothing like being in the studio and being able to get back to myself and get back to my feelings.
Magic is always there. Sometimes it just takes an artist to find it and show the rest of us where to look.
The artist is always concerned with a total view of the world. However, when the photographer takes a picture ... the edge of his picture is just as interesting as the middle, one can only guess at the existence of a whole, and the view presented seems chosen by chance.
Modelling, it's being an artist as well. It's just being a silent artist. It takes a lot of self-control and a lot of discipline.
Being able to hear an artist and emulate them has been a huge part of being successful as a producer and co-writer. I think it's a problem when a producer comes in to work with an artist, and you can't hear the artist as well anymore. It's very important to me to be invisible.
I think Baltimore suffers from nostalgia and it keeps us from being honest in talking about what really happened here. A place doesn't have to be perfect to be beloved, and I love this city and I love it better for seeing its flaws.
I think part of being an artist is having the ability to define your own responsibilities. I certainly wouldn't prescribe any. As far as I'm concerned, my biggest responsibility is to my own imagination. We're all conduits. Art preceded me, and it'll be here long after I'm gone.
We're all so clogged with dead ideas passed from generation to generation that even the best of us don't know the way out We invented the Revolution but we don't know how to run it Look everyone wants to keep something from the past a souvenir of the old regime This man decides to keep a painting This one keeps his mistress He [ pointing ] keeps his garden He [ pointing ] keeps his estate He keeps his country house He keeps his factories This man couldn't part with his shipyards This one kept his army and that one keeps his king
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