A Quote by Lupita Nyong'o

You win an Oscar, and immediately people ask how you feel. So you don't have time to actually feel anything because you have to generate a response. And then some of the feelings you have are so intimate and visceral, words don't really do them justice.
I think for most actors, because we sort of have to tell ourselves this, we always say, 'Oh, it doesn't mean anything to win an Oscar!' It certainly isn't a goal that you want to set yourself up for, because then you're just setting yourself up for disaster. Because how many people actually win an Oscar?
The aesthetic event is something as evident, as immediate, as indefinable as love, the taste of fruit, of water. We feel poetry as we feel the closeness of a woman, or as we feel a mountain or a bay. If we feel it immediately, why dilute it with other words, which no doubt will be weaker than our feelings?
I don't think any of my desires or beliefs or other mental states are external to me. Many people will occasionally feel alienated from the motives for an action - "whatever possessed me to do that?". Note, however, that some people feel alienated from the white hairs that recently appeared on their heads - "who put them there?", they might ask the mirror - but the white hairs are still theirs. Similarly, I might feel alienated from an action or a mental state because it does not fit with my visceral self - image.
I felt really lucky in that I've gotten to know some of my favorite artists; I get to tell them how important they are to me. But that doesn't always make me want to work with people. I feel like if I'm going to work with somebody, it's because I feel like I actually have something to add to them.
With a lot of what we take to be true feelings, especially on pop records, we feel them because they're cleverly crafted. And because the words are written by somebody who knows how to craft words and draw on those things and convey those feelings. That doesn't mean they're dishonest. But it also doesn't mean that it's all just pure primitive emotion spilling out.
The most important thing is to write in your own blood. I bare intimate feelings because people should know how other people feel.
Survivors have a difficult time expressing their feelings. They are more accustomed to minimizing their pain and hiding how they really feel, both from themselves and others. They often become frightened whenever they feel anything intensely, be it anger, pain, fear, or even love and joy. They fear their emotions will consume them or make them crazy.
I really learned that, when I got into television, I really learned the power, how deeply it affects people to see themselves on television, to see something that they can relate to, that they feel is like them in some way; people feel validated. Its not a little thing. It really means a lot to people. It actually can change people.
Most people don't relate to and can't generate concern for something they don't encounter personally or feel personally affected by. People have to have the palpable negatives in their lives dissected for them in ways that let them understand the root causes of unhealthy, unhappy conditions in their lives and then be allowed to really see and feel the positive alternatives.
I have since talked to some of my girlfriends sexual assault and found out that they had their own experiences that they never shared at the time. It was never talked about it. And I think it's because of that normal response - you feel badly, you feel responsible, you feel guilty, you feel like you did something wrong, you feel ashamed.
If people will be censors, let them weigh their words. I mean that the words were unfair by that disproportionateness of the condemnation, which everybody with some conscience must feel to be one of the great difficulties in denouncing a particular person. Every unpleasant dog is only one of many, but we kick him because he comes in our way, and there is always some want of distributive justice in the kicking.
When students are first at the Kerouac School we harp on Gertrude Stein's very basic poetic insistence that words are things . Not to invalidate your experience or all the great feelings you have, I tell them. Although poetry may be good for you, it's not therapy. You're making something with words which are visceral, muscular, active, not just markers of how you feel. And we have classes studying William Blake, Ezra Pound, Charles Olson, Robert Duncan, Stein.
You always want to make the best film you can. If anything I feel more relaxed after the Oscar. I feel like I have a chance to just tell the stories I want to tell and it's actually been really nice.
Some people are guilty when they win. Some people, "Ah, you know, it's so unfortunate, some people had to lose." I mean, even some modern-day competitors, athletes have a guilt complex about winning. They think it isn't fair. That's not how you win. You don't feel guilty when you wine, and you don't feel sorry for anybody about it.
When we're putting a record out I never ever consider how people are going to respond to anything. I only ever think about how I feel about it really, and as long as I feel I'm making the best record I possibly can where my head is at that time, then that's all that really matters.
I guess what inspires me most is the desire to draw out feelings that feel best expressed on the written page by really good authors, and I'm not a really good author. I feel like my job as a filmmaker is to eff the ineffable, to take feelings that only poets could describe with words and try to project them on the screen for viewers to feel. I don't think I've succeeded once but in the act of trying I've come up with all these other results which sometimes intrigue me.
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