A Quote by Lupita Nyong'o

I'm interested in generating work for myself. I have trouble with this waiting-for-the-phone-to-ring lifestyle, especially after drama school, which was so creatively fulfilling.
I have to create opportunities for myself. But the thing I really have learned is that you gain nothing from sitting around waiting for the phone to ring - you have to do it for yourself.
I grew up in the '70s, when people talked on the phone - and just talked more. I remember the phone was the epicenter of our house. I spent hours every evening as a teenager waiting for the phone to ring and talking to my friends.
The Blanks has just been a godsend because I don't have to sit around waiting for the phone to ring and I get to go out and be gainfully employed while I'm waiting for another job.
When television came along, I'd already done more than 10 years of radio work and I thought everyone would want me. I sat around waiting for the phone to ring - and it didn't.
I grew up in the 70s, when people talked on the phone - and just talked more. I remember the phone was the epicenter of our house. I spent hours every evening as a teenager waiting for the phone to ring and talking to my friends. Before the age of technology, it was also easier to just disappear from the face of the earth.
People look at your CV and assume you jump from job to job to job. They don't see the months in between where you're waiting for the phone to ring, or you're waiting to hear about things.
If you're an actor, even a successful one, you're still waiting for the phone to ring.
I used to be more insecure about working, and I guess the older I get, the more rich my life becomes, I don't need to work as much as I used to. I mean, New York is a hard town to be in when you have nothing else to do besides show business. It's brutal, especially as an actor, because you sit around with this low - grade fever of anxiety, waiting for the phone to ring. Or waiting for something.
It's exciting to take control of your future instead of waiting for the phone to ring.
Actors are used to staring at the walls waiting for the phone to ring. It's not unchartered territory for us.
My fear of drama school is that the natural extraordinary but eccentric talent sometimes can't find its place in a drama school. And often that's the greatest talent. And it very much depends on the drama school and how it's run and the teachers. It's a different thing here in America as well because so many of your great actors go to class, which is sort of we don't do in England.
I went to NYU drama school, so I was a very serious actress. I used to do monologues with a Southern accent, and I was really into drama and drama school. And then, in my last year of drama school, I did a comedy show, and the show became a big hit on campus.
As a performer, you can't just sit around waiting for the phone to ring. You have to write and develop projects for yourself, because casting people aren't always going to see you the way you want to be seen. Write a one-person show, shoot a short film, do plays, whatever - activity breeds activity. No one's interested in a stay-at-home actress.
I don't mind it. I just space it out. Every other week I go out. I used to get some time to myself but I've been pretty busy lately. But I've had it the other way, where I'm staring at the phone waiting for it to ring, so this is definitely better.
I had accumulated some capital and was at an age at which I was interested in generating income. But even though I was risk averse, I was interested in growth stocks.
I've always said that with kids' TV that people get stuck in it from drama school but that's not fair because I know myself that when you go in creatively, kids are so much more open to ideas. You're so much freer to mess about and try things.
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