A Quote by Lupita Nyong'o

The Hollywood Film Awards were really stressful. It was the biggest press line I'd ever seen. — © Lupita Nyong'o
The Hollywood Film Awards were really stressful. It was the biggest press line I'd ever seen.
I haven't really ever seen a big budget Hollywood film with African music. Most of the time, it's just Hollywood's perception of what African music is.
When I was a Hollywood press agent, I learned how the Hollywood casting system worked. There was a roster of actors who were always perfect as doctors or lawyers or laborers, and the directors just picked the types they needed and stuffed them into film after film. I do the same [with my characters], book after book.
I will be the biggest WWE Superstar the WWE has ever seen. I will be the biggest movie star movies have ever seen. I will be the biggest TV star that TV has ever seen. I will be the biggest person in the world.
I had seen 'Onaatah' when I was a part of the National Film Awards jury in 2016. I was very impressed with the film because it was a small but a very inspiring film. Since it touched my heart, I thought of remaking it.
I like the sensibility of Australian film a lot and the crews are fantastic. Great characters, wonderful people and no line between - I think in Hollywood they have this line between actors and crew a lot, and that just didn't exist, which I really appreciated.
All my earlier awards were for a particular film or a song. Even the Oscar or the Grammy was for a particular song, but Dadasaheb Phalke is for my entire work so it is the biggest honor for me.
I don't know if you have ever seen the Woody Allen film 'Annie Hall,' but it is, in a way, to Los Angeles and 'Hollywood' what 'This Is Spinal Tap' is to many musicians.
You can really call Irene Dunne 'The First Lady of Hollywood', because she's the first real lady Hollywood has ever seen.
Women are really complex and totally enigmatic. Humans are really complex, but in film, we've only ever seen that with men. We've seen antiheroes time and again with male characters.
I don't think anyone ever plans to change line-ups, but it's something that comes with being in bands. I was in a band once and there were always problems - members come and go - and some of the world's biggest bands have changed line-ups loads!
I think one of the reasons younger people don't like older films, films made say before the '60s, is that they've never seen them on a big screen, ever. If you don't see a film on a big screen, you haven't really seen it. You've seen a version of it, but you haven't seen it. That's my feeling, but I'm old-fashioned.
The biggest battles in human history can only ever be seen through the eyes of the bloke on the front line, and that's by definition a very focused view and one that will vary from individual to individual.
The actors I was most impressed with and who were influencing my taste were all movie actors, so I always wanted to do movies but I didnt want to go to Hollywood and become a waiter in the meantime. The chances are really slim that an actor will be discovered in Hollywood. ... Ive never had to compromise myself for a job, ever.
My first book, 'When You Were Mine,' got optioned for film and went into preproduction as 'Rosaline.' That was the classic model: Hollywood calls, options book, and that's it. You sign on the dotted line.
I know it's a film and all of that, and it's a Hollywood film, but it kind of feels like this sometimes, when you're in pain and it hurts, and you're desperate. Or you are about to cross some moral line and it's so seductive and you just do... and all that.
I was at the New York Film Critics Circle Awards one year - they called me up when somebody canceled two days before the thing, and asked me to present some awards. So I went, and one of the funniest film moments I've ever had was when they introduced the New York film critics. They all stood up - motley isn't the word for that group. Everybody had some sort of vision problem, some sort of damage - I had to bury myself in my napkin.
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