A Quote by Luther Allison

I have as much input to the blues; I just never got the chance, the opportunity or maybe the respect. — © Luther Allison
I have as much input to the blues; I just never got the chance, the opportunity or maybe the respect.
I have heartaches, I have blues. No matter what you got, the blues is there. 'Cause that's all I know - the blues. And I can sing the blues so deep until you can have this room full of money and I can give you the blues.
I think the blues is fine for blues players, but free blues has never made much sense to me.
Why does anyone lie? 'Cause we're scared or crazy, maybe just because we're mean. I guess there's a million reason to lie, and I might've told that many...but none like that. I guess there's always that one lie we never get over. What? Oh, maybe you don't know about it yet. Maybe you never tell a lie so big it can eat away a part of you. But if you ever do...and if you get lucky...you might a chance to set it right. Just one chance to change it. Then it's gone. And it never comes back again.
The blues? Why, the blues are a part of me. They're like a chant. The blues are like spirituals, almost sacred. When we sing blues, we're singing out our hearts, we're singing out our feelings. Maybe we're hurt and just can't answer back, then we sing or maybe even hum the blues. When I sing, 'I walk the floor, wring my hands and cry -- Yes, I walk the floor, wring my hands and cry,'... what I'm doing is letting my soul out.
There are happy blues, sad blues, lonesome blues, red-hot blues, mad blues, and loving blues. Blues is a testimony to the fullness of life.
When we sing the blues, we're singin' out our hearts, we're singing out our feelings. Maybe we're hurt and just can't answer back, then we sing or maybe even hum the blues.
I'm a bluesman moving through a blues-soaked America, a blues-soaked world, a planet where catastrophe and celebration... "Joy and Pain" - sit side by side. The blues started off in some field, in some plantation, in some mind, in some imagination, in some heart. The blues blew over to the next plantation, and then the next state. The blues went south to north, got electrified and even sanctified. The blues got mixed up with jazz and gospel and rock and roll.
Maybe you’ll marry, maybe you won’t, maybe you’ll have children, maybe you won’t, maybe you’ll divorce at 40, maybe you’ll dance the funky chicken on your 75th wedding anniversary…what ever you do, don’t congratulate yourself too much or berate yourself either – your choices are half chance, so are everybody else’s.
I'm swamped with input. I want input, but I am so far behind on what I got here that I can't keep up with what people are sending me.
I don't remember any impression [from blues].The blues was just everywhere in the Mississippi Delta. It was mostly black sharecroppers living there, and there was a lot of blues around. Sometimes the guys would sing the blues in the fields, working.
I had to wonder whether it was possible that this wasn’t already decided for me, and if maybe, just maybe, this was my one last chance to try and prove it. There was no way to know. There never is. But I reached out and took it anyway.
When we finally had a cast and could see what they could do, here was an opportunity to go back and modify things. We didn't actually do that much modifying, but we did enough to make it feel as if they fit in their own skin, and we got a lot of good input from them. They're a terrific cast. They worked really hard.
I firmly believe I never had too much of an opportunity after I left Cleveland. I was behind Jamaal Charles at Kansas City. I didn't get too much playing time. I felt when I got in I did well. And then I was in Tampa and never really got to touch the field because of Doug Martin. He's pretty good.
After my early days of being a passionate young Elvis fan, Chuck Berry, Little Richard, etc. I got interested in Ray Charles and Ella Fitzgerald. Then I got turned on to the blues. I realized how important it was to our music in England at the time. Everyone was into the blues. Then you start looking at the different kinds of blues, and you follow the journey backwards from Chicago to earlier times back down to the Delta to the Memphis Blues.
You don't have to play the blues to play rock 'n' roll, but that's where, somewhere along the line, your influences came from. I mean, I don't care where you got it from. If you got it from Eric Clapton, he got it from the blues.
I knew I wanted to sing and maybe I had a chance at it, so I just started recording myself maybe five or six times a week and putting them on YouTube as much as I could with hopes that someone would recognize me.
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