A Quote by Luvvie Ajayi

It took me a while to affirm the fact that I'm actually a really good writer. I couldn't even call myself a writer with a straight face because I didn't take my gift seriously.
While I put forth the suntan and the teeth and the cavalier attitude, I've survived under the worst of eras and times, and I've always had a good time doing it, because I never really took myself seriously, nor did I take life seriously because it is already terribly serious.
I wasn't entitled to dream so big. The idea of me being a writer wasn't even possible in my mind. Even when I began to write and first published, I couldn't call myself a writer.
It's not that I don't take TV seriously. I take it very seriously. But I've got my priorities straight. Call it my extra gift. Without it, I would be devastated every day in Hollywood.
It is difficult to call myself a writer, even when I stand at a podium to receive a prize, I feel uncomfortable calling myself a writer—I am merely a word criminal.
I majored in journalism at Arizona State University, where I began writing the columns I write now, but I cannot, in good conscience, refer to myself as a writer. I'm a columnist, maybe a journalist, I guess I'm an author, but writer... no. That's not up to me to call myself, that's rather lofty. It's for the reader to decide.
The New Lost City Ramblers are a very good comparison, actually. They really took the music seriously, and we take the music very seriously. But we don't take ourselves seriously at all.
You see, in my view a writer is a writer not because she writes well and easily, because she has amazing talent, because everything she does is golden. In my view a writer is a writer because even when there is no hope, even when nothing you do shows any sign of promise, you keep writing anyway.
There's really no reason for any musician, writer, actor to ever take themselves seriously. If you work in a needle exchange, take yourself seriously. You're doing good work. If you're involved in hostage negotiations and saving lives, you can have a sense of entitlement.
I believe a good writer can write a good book with any sort of character, in any sort of setting, but I prefer to write about the outsider. It might just be because I've been one (or perceived myself to be one) for so much of my life. But the simple fact of being marginalized immediately brings conflict to a story before the narrative even begins, and that's gold for a writer because it means that your character already has depth before events begin to unfold.
There's a half-conscious state you enter when you're actually generating prose, and you are simply a better writer in that place. In fact it's the only place where you even are a writer.
I'm proudly a crime writer, but it would be really inaccurate to call me a mystery writer.
I had to take a big risk by writing my young adult book series 'The A Circuit' and putting myself out there in that way. I don't consider myself a good writer, so I had to rely on a co-writer. Still, I knew that people would judge me and my writing. I am really proud of the way the series turned out.
I feel as if I'm clearly part of a trend among writers who take themselves seriously - and I confess to taking myself as seriously as the next writer.
The first is that good writing consists of mastering the fundamentals (vocabulary, grammar, the elements of style) and then filling the third level of your toolbox with the right instruments. The second is that while it is impossible to make a competent writer out of a bad writer, and while is equally impossible to make a great writer out of a good one, it is possible, with lots of hard work, dedication, and timely help, to make a good writer out of a merely competent one
I am almost six-novels-old. It took me until the third novel to call myself a writer.
I have never really thought of myself as a writer about religion. And I think one of the things that happened to me as a result of all that is that I think it did for some people, many people, obscure the kind of writer that I actually am.
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