A Quote by Lydia Davis
Part of my mind is working on how to end the thing while I'm going on. You need at least two brains to write.
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I think the first thing - if you want to be a writer - the first thing you need to do is write. Which sounds like an obvious piece of advice. But so many people have this feeling they want to be a writer and they love to read but they don't actually write very much. The main part of being a writer, though, is being profoundly alone for hours on end, uninterrupted by email or friends or children or romantic partners and really sinking into the work and writing. That's how I write. That's how writing gets done.
The thing for someone just starting off [in writing] is to write. You need to have limber fingers, whether you write with your fingers or you type on your laptop, but you need to have a limber mind and you need to be able to write without judging what you've written, at least right away, and without editing right away.
I honestly just love being in my studio working on music. That's all the inspiration I need. And I don't write with an end result in mind, I just write for the simple love of writing.
Most everybody had made at least one bad, drunken decision in their lives. Called an ex at two in the morning. Or perhaps has a little too much to drink on a second date and wept inconsolably while revealing how simply damaged one was, while nonetheless retaining an uncommonly large capacity for love. That kind of thing was, while regrettable, at least comprehensible. But waking up with someone generationally inappropriate, like your grandfather's best buddy?
I can't. At least not for a while. I need time to get past this and I can't guarantee that I won't hurt him again. God knows, Nick has a true gift for saying the wrong thing in any given situation. (Acheron) You know he loves you, right? (Amanda) Yeah, but emotions don't have brains. (Acheron)
My writing process isn't a very organized thing. The actual writing part is a tiny part of my life. I often write in public. I bring my laptop or write freehand in notebooks. Then, I'll read through them while I exercise or walk the dog. The very last thing I do is the sitting alone at the computer part.
I understood at once, I am not living, but actively dying. I am smoking, living unhealthily. I’m shutting down. I need to go the other way, inside. And it was so clear to me what I was doing. It was suddenly perfectly clear. I understood, I need to write. Live here, in my words, and my head. I need to go inside, that’s all. No big, complicated, difficult thing. I just need to go in reverse. And not worry about what to write about, but just write. Or, if I’m going to worry about what to write, then do this worrying on paper, so at least I’m writing and will have a record of the anxiety.
I don't have an audience in mind when I write. I'm writing mainly for myself. After a long devotion to playwriting I have a good inner ear. I know pretty well how a thing is going to sound on the stage, and how it will play. I write to satisfy this inner ear and its perceptions. That's the audience I write for.
Hopefully we'll figure out how to get 'Iron Man 2' going, and I'll be involved with that. You have got to outdo what you did before. So, if the last one took two years, we would need at least that to do what we are talking about or, at least, thinking about.
Write a lot. And I mean a ridiculous amount. You have to write so much that you don't mind throwing away and changing things that you've written - which is the second thing you have to do. A lot of young writers are very precious about their words. Don't be - you've got to be ready to burn stuff. You're not as good as you think you are, at least not yet. The more you write, the faster you'll write, and the less you'll mind throwing stuff out.
I write fast. But it takes me a while to get going. It's very important for me to see my whole plot. I have to see the end first because I like a surprise in the end. Which is why I let characters and plot gestate in my mind.
The camera, I hate it. That's something I need to endure while working as an actor. In the end, because of fame, Gong Yoo exists. It's the driving force that keeps me going.
Touring has been a new part of my life in a lot of ways. We've just been touring massively since the record came out and before. Learning how to write while all that is going on is a new thing.
People have been asking me, "What advice do you have for young writers?" I tell them: a) get off social media; b) don't ask your friends what they think about your work or your ideas. You need to focus and be insane within yourself to build your sandcastle. The mind is so malleable and you need to have a steel trap around it, at least while you're working on something.
When I've acted, and it's not been something I've written or have had at least a hand in writing, I do think there is a controlling side of me that is frustrated by that. And I actually don't think that it's a bad thing, because if I'm going to be in movies, in large part they're going to be movies that I write.
I think probably kindness is my number one attribute in a human being. I'll put it before any of the things like courage or bravery or generosity or anything else. Brian Sibley: Or brains even? Oh gosh, yes, brains is one of the least. You can be a lovely person without brains, absolutely lovely. Kindness - that simple word. To be kind - it covers everything, to my mind. If you're kind that's it.
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