A Quote by Lydia Davis
I do see an interest in writing for Twitter.
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I love Twitter. It doesn't keep me from writing and I think it's a really convenient scapegoat when the truth is that the real issue is self-control. I am totally fine admitting i have none. I'm not going to blame Twitter for affecting my writing. And also, Twitter doesn't affect my writing.
When you think about email or IMing, why aren't you writing back? I can see your avatar, I know you're online, why aren't you writing me back? But with Twitter, everybody sends their responses to Twitter, and Twitter then sends them out to everyone. So there's not this constant connection. You can be hyperconnected, then you can take a break for a couple days and it's fine.
I do see an interest in writing for Twitter. While publishers still do love the novel and people do still like to sink into one, the very quick form is appealing because of the pace of life.
I do Twitter, but I'm still not great on it - I'm not good at writing short little jokes, so my Twitter's not really a jokey thing.
I just got on Twitter because there was some MTV film blog that quoted me on something really innocuous that I supposedly said on Twitter before I was even on Twitter. So then I had to get on Twitter to say: 'This is me. I'm on Twitter. If there's somebody else saying that they're me on Twitter, they're not.'
You don't want to start writing songs about how your Twitter followers are going up, because one day Twitter won't exist, and you'll feel like an idiot.
We should look at the Twitter records of Andrew Fraser. Clearly, the ship was on remote control, because he spent all of his time on Twitter. He used to Twitter in the chamber. He used to Twitter at night. He used to Twitter probably in bed at home, but I am not going to go any further there.
I'm not on Twitter for abuse. I don't think anyone's gotten on Twitter so that they can be abused, but people do go on Twitter to abuse people. When that becomes clear then Twitter has a moral duty to shut those people down when they see that somebody is there solely for the purpose of abusing others. Yeah you have free speech, but what you don't have is the right to wield your speech like a cudgel to somebody who has done nothing to earn it.
I try to share a lot of my life on Snapchat, Twitter, Instagram, everything. I really like interacting with fans on Twitter and answering their questions and just getting to know them because it's cool for them to have people who are connecting with my music reach out and show interest.
When I see someone who don't respect the people, I break their back old-country way on the Twitter. I am the law of the Twitter.
I'm on Twitter a lot of the day because I really like Twitter. It's great for jokes. But when I'm writing, I can't do anything else. I can't even listen to music. I just have to write, and then I can do something else. I can't multitask.
I do like Twitter. Writing is a solitary pursuit, and it can get lonely. I like to go into Twitter for a short period of time, communicate with clever friends, and then switch it off. That's perfect for me.
The default position now is that comedians do Twitter but I don't know why. Every bad story you see about a comedian has a connection to Twitter.
I felt like if I said something positive on Twitter, it got no play. But if I said something negative on Twitter, it was a billion retweets and so that was giving me a Pavlovian response to be mean, and I don't want to be mean. We all have mean thoughts. They should not be broadcast on Twitter. You don't need to see mean things.
From my vantage point in writing a story, I can't and don't and have no interest in thinking about the level of sophistication of the audience. I can only think about what interests me, and maybe what I would want to see if I were watching the movie. To me, that's the key to writing something that's not pandering.
I've gone to readings to see authors after meeting them on Twitter. And while there, I've found myself sitting next to still more writers who I met on Twitter, too.
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