A Quote by Lydia Davis
If a translation doesn't have obvious writing problems, it may seem quite all right at first glance. We readers, after all, quickly adapt to the style of a translator, stop noticing it, and get caught up in the story.
Related Quotes
Translation is harder, believe it or not. You do have to come up with a story, and actually I'm mystified by that process. I don't exactly know how the story just comes, but it does. But in writing a story that you're inventing, versus writing a story that somebody else has made up - there's a world of difference. In translation you have to get it right, you have to be precise in what you're doing.
It may not seem obvious at first glance, but the way we make decisions in life tells a lot about the kind of faith we have in Jesus Christ.
All nonfiction writers, whether they like it or not, are translators. The translator is the perfect journalist. The best journalism endeavors to convey an essential idea or story to an audience that knows very little about it, and that requires translation. To do this successfully, the writer must filter the idea through the prism of his eye, and his mind, and his writing style.
Allowing alternative narrative modes in popular entertainment may seem obvious, yet when you turn a pilot into the people upstairs and the main character isn't after what she wants by the top of page two, you get treated as if you've failed at writing.
My first winter was also quite hard because you are not used to how cold it is. But I just tried to adapt as quickly as I could and I think I did well. I was speaking English after six months.
After all, it was only a story,' I said, determined to prove her wrong. 'All manner of terrible things may happen in a story. They may be startling at the time, but it passes. One gets caught up in the narrative, but the dangers aren't real, are they? Things happen in any way the storyteller chooses. It is all just made up.
Right after college, after growing up in the United States, I moved to India, broadly telling the story of how an old and stagnant country was suddenly waking up. And I came home, back to America, in 2009 after telling that story and writing a book about that.
Most readers of historical fiction are content to just get caught up in a good story, and that is what I want to do as an author. I am not concerned with people knowing exactly what I made up and what is real.
I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
I changed my writing style deliberately. My first two novels were written in a very self-consciously literary way. After I embraced gay subject matter, which was then new, I didn't want to stand in its way. I wanted to make the style as transparent as possible so I could get on with it and tell the story, which was inherently interesting.
Arsenal's style of play is so smooth and easy and I hope I can adapt to their style quickly.
When you write a business fable, people get caught up in the story and don't get judgmental about what you're teaching them. If you're teaching a bunch of concepts, people get skeptical and say, 'Where'd you get that research?' But if you tell them a story, they get caught up in it while they learn.
Let's get one thing clear right now, shall we? There is no Idea Dump, no Story Central, no Island of the Buried Bestsellers; good story ideas seem to come quite literally from nowhere, sailing at you right out of the empty sky: two previously unrelated ideas come together and make something new under the sun. Your job isn't to find these ideas but to recognize them when they show up.
For me, every translation is a new book, with the translator inevitably broadening the meaning of the original book in any translation.
General editors' preface The growth of translation studies as a separate discipline is a success story of the 1980s. The subject has developed in many parts of the world and is clearly destined to continue developing well into the twenty-first century. Translation studies brings together work in a wide variety of fields, including linguistics, literary study, history, anthropology, psychology, and economics. This series of books will reflect the breadth of work in translation studies and will enable readers to share in the exciting new developments that are taking place at the present time.
You have to keep writing. It's almost like practice, almost like tennis, that actually after a few days of not writing, first of all it makes you slightly depressed and uneasy, but it also affects the style when you start up again. You need to get the show on the road.
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