A Quote by Lydia Davis

I wrote the first draft of 'Madame Bovary' without studying the previous translations, although I gathered them and took the occasional peek. — © Lydia Davis
I wrote the first draft of 'Madame Bovary' without studying the previous translations, although I gathered them and took the occasional peek.
Flaubert's famous sentence, "Madame Bovary, c'est moi" ("Madame Bovary, she is me"), in reality means, " Madame Bovary, c'est nous" ("Madame Bovary, she is us"), in our modern incapacity to live a "good-enough" life.
I first read 'Madame Bovary' in my teens or early twenties.
I wrote the first draft of my first novel at Michigan, and then I wrote the first draft of 'Salvage the Bones' at Stanford. So I workshopped the entire thing.
The secret of it all, is to write in the gush, the throb, the flood, of the moment – to put things down without deliberation – without worrying about their style – without waiting for a fit time or place. I always worked that way. I took the first scrap of paper, the first doorstep, the first desk, and wrote – wrote, wrote…By writing at the instant the very heartbeat of life is caught.
I'm astounded by people who take eighteen years to write something. That's how long it took that guy to write Madame Bovary, and was that ever on the best-seller list?
Madame Bovary and a flying carpet, they are both untrue in the same way. Somebody made them up.
Madame Bovary is myself.
But you have read Madame Bovary?' (I'd never heard of her books.) 'No.
When I finish a first draft, I often look back at first chapters I wrote and laugh at them. They're like pictures of yourself in middle school. You're embarrassed to see them.
Suzanne [Collins] was very involved in the development of the script. She wrote the first draft. She was very involved with Billy Ray, when he wrote his draft.
Madame Bovary is the sexiest book imaginable. The woman's virtually a nyphomaniac but you won't find a vulgar word in the entire thing.
I calculated that if I wrote five pages a day, which seemed very doable, I would have an 1,800-page first draft when the deadline rolled around. Though completely unwritten, I was very impressed with how long my first draft would be.
An interviewer asked me what book I thought best represented the modern American woman. All I could think of to answer was: Madame Bovary.
All fiction is based on truth - 'Madame Bovary' is based on a true story!
Yes, the first draft is the key. That's why I put so much energy, focus, and attention on the first draft, because I respect that first go at the story. If I don't have the key in that first draft, I invariably won't get it in subsequent drafts, though I can craft around it.
The power of 'Madame Bovary' stems from Flaubert's determination to render each object of his scrutiny exactly as it looks, or sounds or smells or feels or tastes.
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