A Quote by Lydia Leonard

Greek tragedy was pre-Freudian, so every emotion has to be so raw; there are no psychological undertones. — © Lydia Leonard
Greek tragedy was pre-Freudian, so every emotion has to be so raw; there are no psychological undertones.
I always think a good sports movie is emblematic in the same way that a great Greek tragedy really has a certain kind of structure, or a Shakespearean play if you're looking at a comedy or a tragedy, is that these are the heights and depths of human emotion.
Classical music is a special taste like Greek language or pre-Columbian archeology, not a common culture of reciprocal communication and psychological shorthand.
Laughter and weeping, the Greek masks of comedy and tragedy, mark the extremes of a continuous spectrum; both provide channels for the overflow of emotion; both are
The pre-Socratic Greek philosopher Parmenides taught that the only things that are real are things which never change... and the pre-Socratic Greek philosopher Heraclitus taught that everything changes. If you superimpose their two views, you get this result: Nothing is real.
My hope and my intention was that people would experience the tragedy of what Chernobyl was in every regard: a scientific tragedy, a political tragedy, an emotional and personal tragedy, all of that.
The reason why the British theatrical tradition is world-leading in Greek drama is because there is a flourishing tradition of people rethinking Greek tragedy.
In 'Guru,' the business aspect is more of a layer and sub-text... to me, Harshad Mehta's story is a tragedy, a classic Greek tragedy, where the greed of a lot of people got attached to him.
Like Nemesis of Greek tragedy, the central problem of America after the Civil War, as before, was the black man: those four million souls whom the nation had used and degraded, and on whom the South had built an oligarchy similar to the colonial imperialism of today, erected on cheap colored labor and raising raw material for manufacture.
Dostoevky's lack of taste, his monotonous dealings with persons suffering with pre-Freudian complexes, the way he has of wallowing in the tragic misadventures of human dignity - all this is difficult to admire.
We all know what tragedy is. "Yes, I'd rather not have any more tragedy, please. I'll have comedy, please." Comedy, in the Greek sense, only means that it has a happy ending.
The raw emotion and physical nature of the NFL definitely push a lot of peoples' buttons. It's played once a week, so every game is important.
Human emotion is more interesting than anything. Everything that is so overtly sexual is not real. Real emotion is sexy. It's vulnerable and raw.
We want to see goals and excitement but I am sorry to say that VAR is killing every part of that. You are losing the raw emotion of the game we absolutely love.
'Greek Street' is a very strange beast. I think of it as 'The Long Good Friday' meets 'Agamemnon.' A way of using those fantastically rich stories from Greek tragedy to take a look at our world and to explore some of the things I think about this world.
I've got my huge Greek family. I mean, I don't know how many cousins I have - I can't even keep track. There are just so many of us, and we love all Greek food - we have Greek night every Sunday night.
I've never been to a shrink. But my parents were very psychologically literate - my father had undergone Freudian analysis - and we often talked about other people in psychological terms, so I picked up a lot of that.
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