A Quote by Lydia Polgreen

When I first signed up for a Twitter account - I was to say it was in 2007, people are going to think it's some weird self promotional thing or it's going, but in time I was called upon to like try to persuade other foreign correspondents and journalists to get on Twitter and see the usefulness of it which is kind of ironic. I think the journalists who are leading the digital charge at the Times have, all have that background as a foreign correspondent, which I think is not accidental.
Journalists know other journalists - that's the only reason my engagement made it into the papers. I don't think real people are interested - just the media, just Twitter!
I wasn't always a Twitter devotee. During the 2012 campaign, the first during which Twitter was widely used by journalists and campaign aides, I became something of a scold to younger reporters who I thought misused the medium.
I think that all journalists, specifically print journalists, have a responsibility to educate the public. When you handle a culture's intellectual property, like journalists do, you have a responsibility not to tear it down, but to raise it up. The depiction of rap and of hip-hop culture in the media, I think, is one that needs more of a responsible approach from journalists.
I'm also lonely. I'll admit it. I go to Twitter because I'm lonely. I get my coffee in the morning, and I live alone. I get on Twitter, and I sit and have my coffee. Sometimes I'll look at it for 30 minutes. I will waste a lot of time on Twitter. I do! But it's my guilty pleasure. And I'll look for some happy stories to retweet, and I'll say some uplifting things to people. I try not to get caught into - I used to get tangled up into some crazy stuff. But I try not to do that anymore.
Journalists don't sit down and think, "I'm now going to speak for the establishment." Of course not. But they internalize a whole set of assumptions, and one of the most potent assumptions is that the world should be seen in terms of its usefulness to the West, not humanity. This leads journalists to make a distinction between people who matter and people who don't matter.
Journalists have sometimes looked to my Twitter account and quoted me from there, and that's fine because that's public domain. I know exactly what I'm doing when I post something on Twitter; in a way, it's saying, 'This is who I am, and I don't have anything to hide.'
I think that all journalists, specifically print journalists, have a responsibility to educate the public. When you handle a culture's intellectual property, like journalists do, you have a responsibility not to tear it down, but to raise it up. The depiction of rap and of hip-hop culture in the media is one that needs more of a responsible approach from journalists. We need more 30-year-old journalists. We need more journalists who have children, who have families and wives or husbands, those kinds of journalists. And then you'll get a different depiction of hip-hop and rap music.
The thing I really like about Twitter is the speed with which information reaches me. You find out things from Twitter long before they're on the news. That I think is valuable. In terms of actually tweeting myself, I have just lost enthusiasm for it. Maybe I'll do some of it this week to tell people about the PEN Festival and encourage them to show up.
I say the stupidest stuff, all the time, off of Twitter, and so I think Twitter is good way for people to get to know the stupid side of me.
I love Twitter. It doesn't keep me from writing and I think it's a really convenient scapegoat when the truth is that the real issue is self-control. I am totally fine admitting i have none. I'm not going to blame Twitter for affecting my writing. And also, Twitter doesn't affect my writing.
Foreign journalists have to have an approved interpreter assigned them, which they have to pay for, who also acts as guide. As an Iranian, even writing for foreign media, I've been mercifully unrestricted.
The thing I really like about Twitter is the speed with which information reaches me. You find out things from Twitter long before they're on the news. That, I think, is valuable.
I just got on Twitter because there was some MTV film blog that quoted me on something really innocuous that I supposedly said on Twitter before I was even on Twitter. So then I had to get on Twitter to say: 'This is me. I'm on Twitter. If there's somebody else saying that they're me on Twitter, they're not.'
I think of Twitter as the place where I go to have a great conversation when I can't have one locally, which seems to be all the time, and the more time that I spend on Twitter, the more I sort of curate this incredible group of very intelligent people that I just get to know purely through the quality of their thoughts.
I've had people say to me, 'How dare you have a Twitter,' you know, with my gimmick, I guess, and I just say, 'It's 2017.' It'd be hard to find someone in America who doesn't have a phone that has Twitter capabilities. So as a WWE Superstar, I think it's OK that I have a Twitter, people.
Twitter for me is a form of entertainment for the followers and it's also a source of information. I try to tweet things that I think might make people smile, or to share information that I want to get across, like an event like this that can inspire other people to get involved. I try to mix it up. I think that is a reflection of me - a family man, an actor, and a philanthropist.
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