A Quote by Lykke Li

Do you have to have emotional turmoil to create music? I'm not sure because I've never been without it — © Lykke Li
Do you have to have emotional turmoil to create music? I'm not sure because I've never been without it
I've never made any picture, good or bad, without paying for it in emotional turmoil.
Music to me is so internal. It's physical and it's emotional. Whereas fashion is so much about the external that it's almost like a break. It's not inner turmoil. It's total escapism.
With people increasingly faced with turmoil, uncertainty and crisis, I wanted to create music that uplifts the listener and offers a sense of hope to prevail.
I never really planned on any of this being a career; all I knew for sure was that I wanted to create, I wanted to play music, and I wanted to share music.
I've never really been a big fan of comedy songs, frankly. I think I enjoy the emotional payoff that the best music achieves to want to waste too much time turning good music into a joke.
The guitar is a means of expressing music, When you get into the emotional side of it, then it's not the guitar that matters so much as the music itself. But the guitar is the vehicle I use. It's how I express myself. As for the emotional side, music takes up where language leaves off. To try and verbalize what music says, emotionally and spiritually, is futile. Let me put it this way, Louis Armstrong once said if you've got to ask, you'll never know.
My real motivation came from my quest for music videos to have the equally soul-touching emotional resonance that straight music does. Honestly, I'm not sure they ever can.
I've been informed by both sides, jazz, western music, Asian music, African music, all sides, because I've been interested in the sound of the universe, and that sound is without limit.
It's been amazing to create with one another because we're so different when it comes to music. We love different genres. So to vibe together and create this Fifth Harmony sound is what makes it so special.
I create music; I create painting; I create whatever I want to create. I create, what you say, clothes. I create, I don't know, dance move. I create anything.
What I've learned how to do as I've gotten older is to take all of the information that I have, and push it aside, and try to distill each song into an emotional theme. The hardest thing that I've ever had to learn how to do in playing music is use the sound of my instrument to create an emotional effect.
In real life, when you have an emotional experience, it's never just because of the thing that's been said. There's the backstory. It's like [Ernest] Hemingway's iceberg theory - the current emotional moment is the tip of the iceberg and all of the past is the seven-eighths of the iceberg that's underwater.
But synthesizer music has been accepted as emotional for long enough that it isn't a huge reach, conceptually, to think of a fake voice as 'emotional', especially since there's a human composing it.
Obviously, you go through a lot of emotional turmoil in a divorce.
Without emotional content we make pictures; with it, we create art.
I've never felt particularly ambitious or driven, that's for sure, although I like to create stuff, whether it's a little doodle, a drawing, a small painting or a movie or a piece of music, so I suppose I'm driven by that. Everything I've done has felt very natural, and it's happened because it's happened.
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