A Quote by Lykke Li
I hate the fact you always feel like you have to be going somewhere, like the end destination is to be finished, or to be happy. But the truth is a lot of us are completely lost, and we don’t know, and that is also a state of mind, to not know who you are and where you’re going.
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There was a time in my 40s where I thought, oh, it's all over - not just work, but I'm never going to feel young again, I'm always going to feel like I know what's going to happen, I'll know what to expect. Looking back I don't know if that was a midlife crisis, I don't know - but I don't feel that now. There's possibilities. It gets better.
The Internet, you know, 10 or 15 years ago sort of felt like the wild West. You could go out there and do anything and search for things, and, you know, find out about stuff. Now always in the back of my mind, you know, whether it's email or whatever else, it's like, well, is this going to show up somewhere? Is someone going to keep track of this and, you know, know I was searching for - maybe it's an embarrassing disease, maybe it's a weird hobby?
I think it's really important to not talk about how you're going to release something until you've finished it. People are like, "What are we going to make? What are we going to do with it?" and it's just like, "I don't know, we're just making music. Then we'll talk." You can't always write something you're happy with; you can't force it.
I still feel like I don't know what I'm doing. Like, I'm unsure of what my life will be like. I mean, I have such an obsession with making movies that I probably will always do that. But sometimes my life can feel so suffocating, and then it can feel so massive, like I don't have a handle on it at all, and I don't know where it's going or what I'm going to do. Right now, I'm known for making movies. And I wonder if that's it. I don't know. It doesn't feel like it to me.
I think it's really important to love yourself. Because I feel like a lot of the time, especially right now, I've noticed that insecurity is something that's so common that it's not glorified but like romanticized. And it shouldn't be because at the end of the day you have to live with yourself and be happy with who you are. If not, then you're not going to be a happy individual and whatever people say will get to you. So you have to know who you are and like it that way.
I'm like an open book. Whatever is going on with my life, I'm going to let the people know. I feel like that's how you always stay in-tune with your fans, letting them know everything that you've got going on.
Anthropological fieldwork is so much like writing a novel. Granted, you don't have the physical disruption and disorientation, but writing a novel is like entering a new culture. You don't know what the hell is going on. And every day you feel like you have nothing, you're going nowhere. Or you feel that first it's going somewhere, but then you get into that horrible middle part.
I literally make music for my wife and my friends. I don't feel beholden to my fans. I don't even really know who they are. But, I know that this whole thing started with me making stuff that I got off on, and I've gotta believe that that's how it's going to end, too. That's the only way it can go. There are a lot of artists who have gotten pretty caught up in that. That's why I like the defeatist attitude. Just assume that no one is going to like it and that no one cares, and you'll end up making something that you really like.
You make something, and you really have fun with it, and you try to put emotion in it, and at the end of the day, you have no idea how the tide is going to fall. You don't know if everyone's going to like it, if everyone's going to hate it, if it's going to be like you're a media darling, or all of a sudden you're a sellout. You have no idea.
You don't get a lot of life milestones in show business. It's really difficult to make things, and a lot of times you don't know you're at the end of something. With Mr. Show, I was only a writer and we knew we were going into the movie, and we thought, "Okay, like Monty Python, we're going to make five movies." And we didn't know it was the end. So it ended up being a bummer and such a terrible ending for Mr. Show. We never got to feel like, "Wow, we did it! We did something."
You can just keep going and going and going, and you never get to the end of it because there is no end. The ending is a beginning. If you feel like that, then you accept that wherever you have to stop on this journey, you continue in some other form somewhere else.
I think a lot of the writing, you know, I write is just kind of like that where, you know. I write exactly how I'm feeling sometimes, and hardships that I'm going through. But I always end up, like the choruses are like, "God, You are good. God, you're faithful. You know, I know You understand, You're right here by my side." All these different things. And I just say very personal experiences that I've been through. I mean, it's not always detrimental thing.
When you beat a team so often - especially like this season when Chelsea had already lost three times to us - you know people expect you to do it again. But you also know they're going to be even more motivated to finally win.
You’re going to leave me, aren’t you? … You’ve had enough of me, haven’t you? You’re probably so tired of all this crying and all these moods, and I’ve got to tell you, so am I. So am I. Sometimes it seems like my mind has a mind of its own, like I just get hysterical, like it’s something I can’t control at all. And I don’t know what to do, and I feel so sorry for you because you don’t know what to do either. And I’m sure you’re going to leave me now.
Writing is a bit like walking into a big bookstore. It's the bookstore of your brain, and you know you're never going to read all those books. It makes you happy you're in the bookstore, and you're nervous because you know you're never going to read all those books. So the nervousness is also happy. Once I get going writing poetry is one of the happiest things I do, but it is also fraught with all of these anxieties.
I want to emphasize the fact that we all have the same experience and the same concern, but the artist must know exactly what the experience is. He must pursue the truth relentlessly. Once he sees this fact his feet are on the path. If you want to know the truth you will know it. The manipulation of materials in an artwork is a result of this state of mind. The artist works by awareness of his own state of mind.
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