A Quote by Lyle Lovett

Denice Franke is a sensitive and compelling singer and songwriter. — © Lyle Lovett
Denice Franke is a sensitive and compelling singer and songwriter.
Anyway, in my performance style, I'm a singer-songwriter. People can call it neo-soul or R&B or whatever. But at the core, when you see me live, I'm a singer-songwriter.
The business today is completely different and it's very producer driven, so that a songwriter needs to have producing chops, be a singer, songwriter, or find a singer to develop.
The business today is completely different and it's very producer driven, so that a songwriter needs to have producing chops, be a singer/songwriter, or find a singer to develop.
Michael Jackson is an underappreciated songwriter and an underappreciated singer. I think the world only gives him the most recognition for his dancing. He was an awesome singer and an amazing songwriter.
I'm more critical of my songwriting than anybody, but I've worked really hard in the last five to 10 years to improve. I didn't take it all that seriously when I started. It was a little bit of a stigma to being a songwriter or a folkie back then. I did a lot of send-ups of sensitive singer-songwriter stuff when I was starting out, which limited my development as a songwriter in a way. I wasn't really fully given license to explore that until the mid-90s. I'm still working on it; I'm a little bit of a late bloomer.
Very unique: I was a singer-songwriter-guitarist. Very unusual in the late Seventies to find a singer-songwriter, and on top of that, a guitarist.
I love it when people refer to me as a singer-songwriter. I get flutters in my stomach because they say, 'This is Grace VanderWaal, singer-songwriter,' not, 'This is Grace VanderWaal, winner of 'America's Got Talent.'' I'm so proud of that; it's such a big chapter of my life. But it's nice to kind of not be known as just that.
I didn't want to be the crippled songwriter or the crippled singer. I wanted to be the singer or the songwriter who was crippled. I wanted to be larger than life and a man among men.
What Autotune allows is for people like myself and Kanye West not to depend on the singer. Back in the Fifties, the songwriter was rendered invisible. Now the songwriter is there in the forefront.
Being singer/songwriter implies versatility and being able to create more than one medium, and R&B artist is a box, simple as that. It is 'that's what you do, that's what you are', and that's a little unfair, to me, because I don't just do that. So I like singer/songwriter because it allows me to move a little bit more freely.
I'm a songwriter first...In my career I have never felt that my being a woman was an obstacle or an advantage. I guess I've been oblivious...Sensitive, humbug. Everybody thinks I'm sensitive...There is a downside to having one of the biggest-selling albums ever.
It was like I had evolved to a certain stage where I was stuck in this songwriter bag as an image. But basically at heart, I'm a rocker. And I still am. But I was caught up in the singer/songwriter bag and I wasn't really enjoying it.
I'm almost a black singer. And without the backbeat, it's singer/songwriter. There's a definite choice to be made there, every time. And I love the sex of singing with a beat; I like the sexiness of it. I think it's really where I'm from.
If you're a lead singer, then you can't afford to be sensitive. On stage, everyone looks at the lead singer, even if you don't want them to - in America, they have those massive follow spots on you all the time; it does your head in. So, if you are a lead singer and you don't toughen up, you're in the wrong job, and you have to get out.
I think I come under the singer/songwriter badge. I've always written songs right from the very beginning. Because of my style of playing people tend of me more of a guitar player than a singer sometimes.
I'm a singer, songwriter from Mexico.
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