A Quote by Lyle Lovett

Songwriters aren't always performers, and even performing songwriters aren't always the kind of show-biz performers you think they'd be. — © Lyle Lovett
Songwriters aren't always performers, and even performing songwriters aren't always the kind of show-biz performers you think they'd be.
For a lot of pop performers, fame and celebrity is part of the job. But for singer-songwriters, no one really cares.
I would not correct dancers if I was performing, because I don't believe in performers correcting other performers.
There are two types of people, two types of performers: Performers who know how to keep a show going, literally, when the power is gone and performers who haven't had that much experience and will panic and freak out and don't know what to do.
There are two types of people, two types of performers: Performers who know how to keep a show going literally when the power is gone and performers who haven't had that much experience and will panic and freak out and don't know what to do.
The songwriters whom we think of being the greatest songwriters usually write one hit and six or seven flops.
I don't remember ever deciding to become a performer. I just always was. I began performing by mimicking the performers on the new television that first took the attention away from me as the baby of the household. I continued performing to put a smile on my grandmother's face and always considered her when accepting or declining roles.
Even the prettiest performers and even the most handsome performers, when they get that opportunity, they still need to step up to the plate and deliver.
There's still a lot of great songwriters out there who hand in songs. And there's a lot of brilliant singers and performers out there who sing other people's words. I enjoy doing both.
You know, there's still a lot of great songwriters out there who hand in songs. And there's a lot of brilliant singers and performers out there who sing other people's words. I enjoy doing both.
The hardest part about improv is getting the audience to relax and enjoy themselves, because most improv is not very good, and the audience is nervous for the performers the whole time. Not that they don't even like the show, but they feel bad for the performers.
Just concentrate on the performers. Make sure you get the performers, and that's it. That's all we need to do." And I was thinking, "Well what if you do both? Of course the performance is important, the writing is really important. But what if you could have the perfect marriage of making it look really slick as well?" I think that's kind of what I tried to develop as a style, and Spaced was the first TV show I did where all the elements came together.
The songwriters whom we think of being the greatest songwriters usually write one hit and six or seven flops. That includes the Irving Berlins and the Hoagy Carmichaels, the Harold Arlens, Cole Porter.
I think I'm different from a lot of singer-songwriters because some of my favorite singer-songwriters told stories. Like John Prine.
I think Im different from a lot of singer-songwriters because some of my favorite singer-songwriters told stories. Like John Prine.
Songwriters often seek the company of fellow songwriters to help finish what they've started, and these days, many do it at songwriting camps.
Some of the most powerful female performers I've seen balance the feminine and the masculine and are incredibly strong. Like, I think Hayley Williams is one of the best rock performers.
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