A Quote by Lyn Hejinian
The idea of the person enters poetics where art and reality, or intentionality and circumstance, meet.
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An utterance can have Intentionality, just as a belief has Intentionality, but whereas the Intentionality of the belief is intrinsic the Intentionality of the utterance is derived.
[T]he more radical the person is, the more fully he or she enters into reality so that, knowing it better, he or she can transform it. This individual is not afraid to confront, to listen, to see the world unveiled. This person is not afraid to meet the people or to enter into a dialogue with them. This person does not consider himself or herself the proprietor of history or of all people, or the liberator of the oppressed; but he or she does commit himself or herself, within history, to fight at their side.
Arguments against photography ever being considered a fine art are: the element of chance which enters in, — finding things ready-made for a machine to record, and of course the mechanics of the medium. I say that chance enters into all branches of art.
success is not a matter of circumstance, but of power to meet circumstance.
Also, think about your intentionality - are you getting lost in the method? or coming from the intentionality, the purpose? You don't want to do the mechanics without the consciousness.
In legal parlance, that is called 'the rational person test,' ... That's where somebody else says, 'Even though we have no idea what this person would want in this circumstance in which they cannot themselves tell us what they want, a 'rational' person - meaning, myself - in that circumstance would want to die.' So you move very quickly from so-called voluntary euthanasia to involuntary euthanasia. These legal and medical developments are not simply hypothetical They're in the courts right now.
People for whom art is religion can say, "What I love about art is that it points to a higher reality." Well, fine, but the time comes when the smart thing for such a person to do is to let go of the fun of the art and get into the hard work of attaining and understanding that higher reality, unmixed with worldly games.
One of the things I've always thought is that if I were to write a poetics, it would have to do with the poetics of failure, and the way in which all the things that you claim or that you try for are already based on the limits of language.
We are at home here. Alienation is unnecessary. Contact with reality at a deep level is part of the Christian's life. He enters into reality, rather than escaping from it. The flight from reality is a mark of Eastern and classical mysticism, not of Christianity.
The Western Idea of practice is to acquire a skill. It is very much related to your work ethic, which enjoins us to endure struggle or boredom now in return for future rewards. The Eastern idea of practice, on the other hand, is to create the person, or rather to actualize or reveal the complete person who is already there.... Not only is practice necessary to art, it is art.
Here we are at the very core of the thesis we wish to defend in the present essay: reverie is under the sign of the anima. When the reverie is truly profound, the being who comes to dream within us is our anima. For a philosopher who takes his inspiration from phenomenology, a reverie on reverie is very exactly a phenomenology of the anima, and it is by coordinating reveries on reverie that he hopes to constitute a "Poetics of reverie". In other words, the poetics of reverie is a poetics of the anima.
When you meet dishonest people, move them with sincerity. When you meet violent people, affect them with gentility. When you meet warped people, inspire them with justice. Then the whole world enters your forge.
I think that nudity is beautiful. Sometimes it can be awful, but when it's beautiful? Cinema is the art about reality; it's art from reality. In French we say l'art de la realite. You show reality, so you have to show bodies.
The poetics of the oppressed is essentially the poetics of liberation: the spectator no longer delegates power to the characters either to think or to act in his place. The spectator frees himself; he thinks and acts for himself! Theatre is action!
Open your heart and invite God into every circumstance because when God enters the scene, miracles happen.
Turmoil is a call for awakening. Every challenge, great or small, is moving you to look deeper and draw forth the highest in you. You're never given a challenge beyond your ability to meet and master. You'll rise above every circumstance because you're greater than any circumstance.
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