A Quote by Lynda Barry
For horror movies, color is reassuring because, at least in older films, it adds to the fakey-ness.
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A lot of low-budget genre films you see are horror movies, because horror is the friendliest movie to lack of money.
Part of a horror movie has to be a bit fakey for me to really enjoy it. The new ones are so realistic that they distract me from the ride through the horror.
My wife and I are connoisseurs of films but in opposite directions. She's a connoisseur of really good, classy foreign films. I'm a connoisseur of really bad, cheesy horror movies - so-bad-it's-good horror movies.
I feel like most horror films are made for teenagers about teenagers. I've done a couple of those horror films. There's nothing wrong with that but the older I get the more I starve for more adult material.
Horror films are the ones that pay the bills, and historically, they have shown that they are good investments. They helped Universal survive with that initial splash of horror films in the 1930s and '40s. And horror films kept New Line alive with the 'A Nightmare on Elm Street' series.
My palate is simpler than it used to be. A young chef adds and adds and adds to the plate. As you get older, you start to take away.
People ask me, 'Is 3D a good medium for horror movies?' I think it's the perfect thing for horror movies because it really puts you into it.
Leave horror previews for horror movies. At least you know the people going have made a choice that they want to see them.
I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because you're making a horror film doesn't mean you can't make an artful film.
I love Sam Raimi. 'Evil Dead 2' is one of my favorite films. It's one of the best cheaper horror films I've ever seen. Horror films and suspense films can be made on a low budget without big stars and be very effective.
I think there's been a gigantic shift in the way we talk to each other, and the way that we communicate with each other. So as a filmmaker, the stuff's always been really interesting to me, and I sort of considered a lot of my films horror films, the ones that were relationship dramas, because I feel like it was very easy to look at modern communication and the Internet and cell phones and all that stuff as horror movies, basically.
I've made a way to allow myself to do big films, small films, dramas, comedies, action films, horror films, or whatever interests me, as a movie-goer. I like watching myself in movies. I want to choose movies that allow me to enjoy myself, the way that I want to entertain myself.
The type of movies that give me the heebie jeebies are thrillers, because anything that's playing with your thoughts and mind, that's scary. But one thing that they never do in horror movies that I always do is I pray. You never see them pray in horror movies.
I love horror comedies, and I love horror movies. In particular, I love horror movies from the '80s that have practical monsters in them. They're not just slasher movies with people going to kill people in people's houses. I do like these ridiculous monster movies. They're scary, but they're absurd. I had a lot of fun in my 20's, watching a lot of these movies late at night.
Horror movies started to wane around the onset of World War II, and after World War II, when all the troops came home, people weren't really interested in seeing horror movies, because they had the real horror right on their front doorsteps.
I wasn't a fanboy of horror. I didn't grow up on horror movies. I grew up loving all movies. I still love all movies, but I particularly love scary movies - as much for the culture around them as the movies themselves.
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