A Quote by Lynda Carter

It's not too bad to be a sort of pop icon, you know? It's not too tough to handle. — © Lynda Carter
It's not too bad to be a sort of pop icon, you know? It's not too tough to handle.
People are looking back and trying to, you know, get compensation for bad mortgages and all the rest of it in some of the agreements that are being reached. There's nothing magic about regulations, too much is bad, too little is bad.
It's a comforting thought to know that I've got my partner by my side walking through life and all the ups and the downs. I know we can handle it. There's nothing too big or too crazy that's going to tear us apart.
French men can be very tough too, you know... Real bad boys move in silence, as we know, so you don't have to be loud and muscular to be scary, actually.
I don't know that there is too far, actually. I think there's only too bad. If it's bad you've gone too far.
I've never really spent too much or put too much gravity or placed too much importance on being a pop star. It's like, OK, great, does that mean I don't have to do anything anymore except walk around and be a pop star?
He (son Jason) doesn't see me as a (gay) icon, he sees me as his mother who touches his hair too much. No, I love being an icon to anybody. Equal rights, you know?
from the beginning, through the middle years and up to the end: too bad, too bad, too bad.
We had the skirts with the slits up the side, sort of tough, sort of Spanish Harlem cool, but sweet too.
It was a once in a lifetime thing. I hate to think it but I bet it's true. It's too bad for us that our once in a lifetime happened when were too young to handle it.
In Free, we managed ourselves, and it was too tough for us to handle all of what that entailed when we got to touring America.
I say too much of what, he says too much of everything, too much stuff, too many places, too much information, too many people, too much of things for there to be too much of, there is too much to know and I don't know where to begin but I want to try.
You can only write so many pop songs before they all sound the same. I got to a point where something overtly melodic and straightforward sounded sort of cheesy to me. Pop songs seemed too manufactured.
Yes, there are probably too many tattoos. But there are too many bad haircuts, too many bad shoe choices, too many bad jeans.
You size up someone physically in less than one second - too tall, too short, too fat, too thin, too old, too young, too stuffy, too scruffy.
Kicking is like a love-hate relationship. When it's going good it's really good. When it's bad, it's really tough. You just have to find the fine line between not getting too high or too low.
I end up pleading my case to alternative programmers - you're telling me that my music is too dark for pop, too pop for alternative, and urban radio won't touch it - so we have a record that doesn't fit in. And what is more alternative than that?
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