A Quote by Lynda Obst
Always remember the famous adage about the movie business: You can't make a living, you can only get rich.
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One bulls-eye and you're rich and famous. The rich get more famous and the famous get rich. You're the talk of the town....The sense of so much depending on success is very hard to ignore, perhaps impossible. It leads to disproportionate anxiety and disproportionate relief or disappointment.
I consider anybody who has been able to make a living in this business [movie business] without having to do something else for a living for any period of time let alone 43 years would be a miracle.
The secret to the movie business, or any business, is to get a good education in a subject besides film - whether it's history, psychology, economics, or architecture - so you have something to make a movie about. All the skill in the world isn't going to help you unless you have something to say.
The most important adage and the only adage is, the customer comes first, whatever the business, the customer comes first.
I think the challenge is, in fashion everybody wants to get rich and famous and it's easy to get rich and famous by being a bad person. But the challenge is to achieve your goals-whatever they are-while staying a decent human being. That's where it came from.
I remember Michael saying, 'Rich and famous? It's much better to be just rich'. I didn't quite get it to begin with. But he's right. You lose anonymity. I say to my family that you've no idea until you lose it how precious anonymity is.
When I first dreamt of becoming a movie star, I wanted to be a Gary Cooper: I wanted to be rich and famous, living in palaces and wearing dark glasses and white suits.
I always want to say to people who want to be rich and famous: 'try being rich first'. See if that doesn't cover most of it. There's not much downside to being rich, other than paying taxes and having your relatives ask you for money. But when you become famous, you end up with a 24-hour job.
The second death. To think that you died and no one would remember you. I wondered if this was why we tried so hard to make our mark in America. To be known. Think of how important celebrity has become. We sing to get famous; expose our worst secrets to get famous; lose weight, eat bugs, even commit murder to get famous. Our young people post their deepest thoughts on public web sites. They run cameras from their bedrooms. It’s as if we are screaming Notice Me! Remember Me! Yet the notoriety barely lasts. Names quickly blur and in time are forgotten.
There's so much, I guess I want to say, nonsense about show business now. Because of reality television. I don't get this, because I was never raised to get this, but I don't understand wanting to be famous. Maybe it's because I was born famous, but I don't get it.
My parents took me to a movie, and I remember wanting to sit apart from them for some reason. I wanted to be a big boy or whatever. I remember looking up on that screen. It was a movie about medieval knights. All I remember is saying, 'I want to do that. I want to make movies.'
You can be rich and not be famous. You can be famous and not be rich. But to be rich and famous is a special category all by itself.
I've always warned my clients about fame being very dangerous, and unfortunately, they need to be famous to make a living, but not to be flippant with it, that it could kill them, and to always keep their eye on it. There was no reason for me to do it. I don't make my money off fame, not my fame.
It's hard to make a living in this business. Unions aren't as strong as they used to be. For a journeyman actor - someone who doesn't have a famous name but has consistent work in theater or film or TV - it has become harder to get through, harder to raise a family.
So I've decided to be a very rich and famous person who doesn't really care about money, and who is very humble but who still makes a lot of money and is very famous, but is very humble and rich and famous.
I am definitely less and less interested in music made by people that exist today, people that are living. I just see them as part of the whole stupid process of the music business, desperate (even if they feign indifference) to get noticed, trying to "make it" in the stinking music business, to become "famous" etc, and it disgusts me.
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