A Quote by Lynda Obst

When I was starting out, the first women studio heads and writers were just getting into their perches - development execs learning their chops. — © Lynda Obst
When I was starting out, the first women studio heads and writers were just getting into their perches - development execs learning their chops.
The recording process was basically me meeting with different writers, going into their studio, starting a song and just hanging out and chatting and getting to know how they work. Everybody has a different writing process so there was a lot of getting to know people, which can be fun and stressful at the same time.
Directing is the last frontier for women in the movie business. We are studio heads, we are producers and we are writers, but we are not directors in any numbers.
I think when I first went to Man City, they weren't very professional. They were just starting out, and the men's team had just invested a lot into women's team.
Writing screenplays is not my business. I've written half a dozen, and maybe half of those were made. But it was never a satisfying experience. It was just work. You're an employee. You would be told what to do. Studio execs would cross out my dialogue and put in their dialogue.
I love the studio system. Love that studio system and all their money. They're great; I think they're fabulous . You know, what it is right now is I feel like I'm still learning as a filmmaker, I'm still starting out.
In the past, when you were just starting out, you had a day and a half of studio time - maybe two, if your buddy's uncle lets you stay.
Hundreds of years ago, the most beautiful women of Havana were only glimpsed stepping in or out of carriages on this street. The first foreign writers who arrived and saw this could never get past just how incredibly beautiful their feet were.
The first time I remember women reacting to me was when we were filming Hud in Texas. Women were literally trying to climb through the transoms at the motel where I stayed. At first, it's flattering to the ego. At first. Then you realize that they're mixing me up with the roles I play - characters created by writers who have nothing to do with who I am.
Studio execs were like, ''Lord of the Rings!' People want to see sword-and-dragon-type things!' No, people just want to see great stories. Hollywood always takes the wrong lesson from successes.
After getting off Bad Boy and then finally getting on with the Ruff Ryders/Interscope deal, it was like being able to exhale. The studio sessions were a lot different than the Bad Boy studio sessions. Like, we were able to just do anything we want.
I was first drawn to active wear because I enjoy working out, and it's very important in this day in age. I really felt women were getting the tail end of the design in active wear; not getting the technology or design we deserved. It was reserved for men. We were getting the leftover work from the sports design houses.
I knew Matt Damon and Ben Affleck were really talented. As actors, they were both studly young men, and they had great writers' chops.
There was a time when certain producers could produce just about anything, and the label execs would say, "That's a such-and-such record. Let's put that out as the first single."
When I first started blogging, it was about getting out new music and capturing artists working in the studio. This was before artists were so social. They weren't so hands-on then.
There are obviously issues in our industry. That starts at the top with studio execs who - not just men - don't believe a woman could handle a huge franchise or big action movie.
Men think of women as people who just augment their experience. Women's value isn't a given. But getting to know some incredible women, and even learning to value myself, it's a shame that we aren't celebrated, loved, and cherished as a default. A lot of stupid dudes are really missing out on a much more interesting experience of life.
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