A Quote by Lyndon B. Johnson

If you're I politics and you can't tell when you walk into a room who's for you and who's against you, then you're in the wrong line of work. — © Lyndon B. Johnson
If you're I politics and you can't tell when you walk into a room who's for you and who's against you, then you're in the wrong line of work.
You can't be in politics unless you can walk in a room and know in a minute who's for you and who's against you.
That line, about half of somebody's supporters being deplorables, was maybe the worst line I've ever heard in politics. You never - even when you're running against a bunch of racists, you never take off against the voters. It was a politics 101 foible.
In a world of fixed future, life is an infinite corridor of rooms, one room lit at each moment, the next room dark but prepared. We walk from room to room, look into the room that is lit, the present moment, then walk on. We do not know the rooms ahead, but we know we cannot change them. We are spectators of our lives.
Tell the other rangers, the ambassadors, everyone is this army of light. Babylon 5 stands with you. Tell them, tell them that from this place with will deliver notice to the parliaments of conquerors that a line has been drawn against the darkness and we will hold that line no matter the cost.
You want to go to a place where you work every day, where you get to tell stories that look and feel like the audience in America that are watching. You're really limited, if you walk into a room and you can just tell stories about that. So, we've been really blessed.
If you have a headache every Monday morning when it is time for you to go to work, perhaps you're driving the wrong car, perhaps you're taking the wrong route, or you may be in the wrong line of work. Obviously, only you can figure out the message.
I was in the room with, you know, more than a dozen Republicans trying to negotiate the stimulus. Most of them decided the politics of the situation meant they should walk away, even if it wasn't responsible in terms of what our country needed right then.
The state of mind of a fighter is so important. I don't like to see a fighter stay locked up in a room. Sometimes it works against them. They think and they worry. They dwell, sitting in that dark room. You come back and they're psyched out. I like to see boxers eat and then walk, mingle with people. You have to have a certain amount of movement.
I tell you (dogmatically, if you like to call it so, knowing it well) a square inch of man's engraving is worth all the photographs that were ever dipped in acid... Believe me, photography can do against line engraving just what Madame Tussaud's wax-work can do against sculpture. That and no more. (1865)
Stand-up comedians know how to walk into a room, even if you're not performing, just read the temperature of a room, and can easily sort of tell what's going on or what people are sort of feeling in the room, and it allows you to sort of approach people.
Syllogisms ? la mode - If you are against labor racketeers, then you are against the working man. If you are against demagogues, then you are against democracy. If you are against Christianity, then you are against God. If you are against trying a can of Old Dr. Quack's Cancer Salve, then you are in favor of letting Uncle Julius die.
Remember: when people tell you something’s wrong or doesn’t work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong.
Wrecks are going to happen in this business, that's just a risk of the sport. If you can't keep from worrying about it, then you're in the wrong line of work.
It is wrong to divide the nation white against black, native born against immigrant or one religion against another. It is also wrong to divide people by income. East Germany was not an improvement over South Africa. Obama divides Americans against each other. This is wrong.
President and Mrs. Kennedy would walk into the East Room with their honored guests, preceded by the military color guard, who then posted their flags behind the receiving line. This ceremony never failed to move all of us, no matter how many times the staff witnessed it.
I am tired, I want to go home. I want to continue my art work, I want to plant a garden, I want to walk in the forest, I want to walk in the fields, I just want to lie down on the grass and feel the sun against my skin. I want to be able to hold my family close to me and not have someone tell me time's up.
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