A Quote by Lyndon LaRouche

Can we imagine anything much more viciously sadistic than the Black Ghetto mother? — © Lyndon LaRouche
Can we imagine anything much more viciously sadistic than the Black Ghetto mother?
Richard Price got a million dollar advance on one fake film book based on a paragraph outline and is able to seduce gullible White reviewers who know less about ghetto life than he. The New York Times has devoted more space to Price's tourist, ghetto writing than to any Black writer in history.
I couldn't imagine anything more horrifying than three middle aged men trying to pretend that 'Black Dog' is still significant. It's inappropriate.
If you come into my house, I'm going to fight much more viciously to get you out than if we were on a neutral piece of land.
Prison is quite literally a ghetto in the most classic sense of the word, a place where the U.S. government now puts not only the dangerous but also the inconvenient—people who are mentally ill, people who are addicts, people who are poor and uneducated and unskilled. Meanwhile the ghetto in the outside world is a prison as well, and a much more difficult one to escape from than this correctional compound. In fact, there is basically a revolving door between our urban and rural ghettos and the formal ghetto of our prison system.
Who could imagine a poet wearing anything other than black?
Richard Price, who has made a fortune writing fake ghetto books, says he takes a cab into the ghetto, transcribes Black speech for a brief time and returns home. His fake ghetto books have bought him a townhouse in Gramercy Park and home on Staten Island.
I can't imagine anything more debilitating, anything more challenging, anything more thrilling than to get on a stage and do any kind of play. It is such a vulnerable place for any actor to be in.
We were in the heart of the ghetto in Chicago during the Depression, and every block - it was probably the biggest black ghetto in America - every block also is the spawning ground practically for every gangster, black and white, in America too.
As I wouldn't wear a costume, I couldn't imagine him wanting to wear one. And seeing that the greater part of my wardrobe is black (It's a sensible colour. It goes with anything. Well, anything black)[...].
I can no more disown (Jeremiah Wright) than I can disown the black community. I can no more disown him than I can my white grandmother - a woman who helped raise me, a woman who sacrificed again and again for me, a woman who loves me as much as she loves anything in this world, but a woman who once confessed her fear of black men who passed by her on the street, and who on more than one occasion has uttered racial or ethnic stereotypes that made me cringe.
I know it's a rare privilege, but if one can really tackle something in adult life that means that much to you, then it's more rewarding than anything I can imagine.
I imagine it was much different in the 1970s. That was the Renaissance for black actors, albeit in blaxploitation movies. There was a much greater preponderance of work then than there is now.
The thing about black history is that the truth is so much more complex than anything you could make up.
I can't imagine anything that would signal more clearly that life goes on and joy can follow tragedy than your having a much wanted child.
I get a great laugh from artists who ridicule the critics as parasites and artists manqués — sucha horrible joke. I can’t imagine a more perfect art form, a moreperfect career than criticism. I can’t imagine anything more valuableto do.
I want to burn as a beacon of possibility. I don't want nobody to misconstrue the commercial success I've had as anything other than an example of what black music is capable of. And what it's capable of is being more than just black. I'm not black or white anymore. I'm Cee Lo Green.
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