A Quote by Lyndsy Fonseca
The best thing about the Nikita show is that there's so many layers. Even after the pilot, the next four have a twist. Don't think that you've seen it all or that you know it now, and that it's not going to have any more surprises. There's a surprise in every episode, so it's a lot to keep track of.
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I don't think that they know fully what's happening with Miss Match so therefore I don't know how many more if any, if the show's even gonna keep going.
The second episode of any new show can be tough. You have about a week to top the well-crafted and polished pilot episode that was written over six months.
I think that knowing where you're going is important, and it's not like, when Robert says that, it's not like we know what every episode of the next five, four, five, six seasons of the show is going to be. I think Matt Weiner knew how Mad Men was going to end. Vince Gilligan knew how Breaking Bad was going to end. Marc Cherry knew how Desperate Housewives was going to end. Along the way, the process of crafting those stories ... You don't know what the road, what twists and turns that road is going to take to ultimately get you there.
We're gonna play a little bit of a game here [Person of Interest movie]. Greg and I felt like we had responsibility when we wrapped up the pilot, to have a roadmap for where the show went. When we pitched the pilot, we knew what we wanted the last episode to be, the last image, I think we even know what the last song is.
The idea of surprise is part of what makes something funny, or what gets a reaction. At least when I'm an audience member, after you hear a joke so many times it's not as funny because it loses its surprise or its twist. So I think funny has to do with surprise.
I have this thing. I've always been uncomfortable going to any party where people don't understand why I'm there. One of the best things about partaking in a show like this is, when I show up to events and parties now, they know me. I don't have to hear, 'Oh, you're an actor? Have I seen you in anything?' anymore. I used to have to start listing things off of my resume'. It's really nice not to have to do that anymore.
Doing this web show - people underestimate what it takes to do a web show successfully. They underestimate the amount of work that you have to do to get it to your audience after it's made. I think you have to work so much harder, especially if you don't have a huge budget. You have to know how to get your audience engaged, because the Internet is so distracting, and there are so many choices. People, even if they love your show, will forget to go back for episode four, because you know, people are busy.
I think, with any kind of Netflix show, it's quite nice at the end of - just even watching the end of Episode 1, you have that kind of moment to yourself where you're like, 'Okay, I need to see the next episode here.'
Even now, so many years after the end of the show, there are still new fans finding their way into Sunnydale. Buffy doesn't care that they're late to the game. She's been waiting for them - and she accepts all of them exactly as they are. Besides, no matter how many times you may have seen an episode, there's no such thing as an expert. I can guarantee there are always new and intriguing things to discover in Buffy; things that you missed somehow on previous viewings.
I love going into rehearsals day after day for three, four weeks, trying stuff, coming back the next day, building on that. So many times I'd drive home from the studio [after] shooting and I'd be thinking about a certain moment, and I'd think, "Oh, I know what to do!"
Success has a lot of things that go along with it and I haven't experienced any personal resentment. I can't control any of that and I try not to worry about it. I hope that's not the case, you know. Most of the writers that I know and artists that I know understand what was going on. I think there's just as many things going on in the awards process that have to do with the show having won a few times.
The more I think about the Olympics, even from afar, its mere concept stuns me. I can't think of any other line of work where, every four years, people gather to be ranked one, two, and three, then are more or less told to evaporate until the next go-around.
I don't know much about writing a show or being a show-runner on a show, but I can only imagine that when you first cast a show and you first do a pilot, there are so many components that you're throwing into the mix and you're not sure how they're going to develop.
You can't reinvent the wheel. You've got to just take the best from all the other shows and try to make it work, because there's the "live show Gods" that dictate if there are going to be any surprises, if there's a very commercial film that's a Best Picture. There are a lot of things that are out of my control, but I do my best.
I've learned through experience that you can't ever predict what's going to happen with any show. When I signed on to 'Ugly Betty,' I just prayed that I wouldn't get fired after the pilot, and four years later, I was still doing it.
Oh my God the fantasies are my favorite thing that we do each episode by far. And the great thing now is that instead of one an episode sometimes we do as many as two. We did one in each of the mini-series. And so far - I mean I keep thinking I can't have another favorite and then they keep topping it.
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