A Quote by Lynn Anderson
I don't play music very well, so I've always surrounded myself with people who played a lot better than I did. I'm a loyal person, and I just tend to leave it to the experts.
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I always hear people saying, "If I can just help one person, or if I can just stop one person from doing what I did." I don't think one person is enough. I feel you can help more than one person, help as many as you can. That's something that I would like to leave as my legacy: That I helped a lot of people and made some people make better decisions after looking at the decisions I've made in my life.
I tend to write pretty much by myself. I always did that anyway. I used to write with Ron Strykert 'cause he was the only guitarist and we played well together. We lived in the same place. I would play a certain style and he would kind of dance around what I did, in a sense. I learned from him and also vice-versa. With this band, I think I bounce ideas off everybody. Perhaps on the next album they'll be more collaborative stuff, but for the last 2-3 years, I've been pretty well writing by myself.
I always had my guitar; I worked at writing some songs. I always played music - in the house. I sang to my daughters, I scribbled down some ideas. Actually I didn't always play music. I did leave it alone for some time too.
I'm not one for sitting around listening to my own music, because I tend to cringe and think that I could have done better. I also suffer from red light syndrome quite a lot. I tend to narrow my thinking when the red light goes on to record. Instead of just relaxing and playing and emoting, I think of time being wasted so I won't take a chance on something. Consequently, when I hear it back, I think, "Why the hell did I play it so safe on that piece of music when I could have really opened up?" Well, it's because of not wanting to make a mistake.
People leave United and tend to drift out of the game. I actually think I became a better player and a better person. I proved a lot of doubters wrong.
I believe in knowing all you can about the music and the people who made the music. I think it's much more important to know some good Miles Davis stories than to know how to play like Miles. I think you'll play better if you know some of the funny things he did than if you know the licks that he played.
I see a lot of disloyalty around. I'm very loyal to people and that supersedes, frankly, party lines. But I'm very, very loyal to people and I'm also very loyal to people that I think are good for the country.
I was interested in a whole range of music that I used to play, popular music -- particularly American music -- that I heard a lot of when I was a teenager," "I think at a certain point it dawned on me that myself playing this music wasn't very convincing. It was more convincing when we played music that came from our own stock of tradition. ... I certainly feel a lot more comfortable playing so-called Celtic music.
I sort of always had an inkling towards some kind of an art form. I grew up in a very small town, and I just figure-skated. My dad played hockey and I was surrounded by sports, but it wasn't quite doing it for me. I wasn't totally fulfilled, and I did a lot of skating.
There are two kinds of experts: academic experts and practical experts. One is not better than the other, but they are very different, and each offers very different value.
There was a lot of freedom, so bands in those days did not have to play for the public. They played for club owners that enjoyed music. You know, what happened - there was a lot of clubs that had bebop music or different forms of music. It was great for musicians.
I learnt a lot of things in Holland, as people have great vision there. It improved me as a player and a person. I had very good coaches that wanted to play offensive football and dominate games and be better than their opponent. You also need to play for your team-mates as well as yourself; then, afterwards, you can show your own quality.
My parents had a love for music. There were so many records, so much music constantly being played. My mother played piano, my father sang, and we were always surrounded in music.
I work on myself daily to be a better person. When I react in a negative way to somebody, I sit back and think about why I did it, so I'm always working on myself, and my music is the same.
People always think that because of 'Dr. Quinn' that I just play nice family stuff. But the truth of the matter is that 'East of Eden' was a very successful thing for me in the past. I've played a lot of very evil people in my time.
I feel I can rush the passer well. I feel like I can play the run even better than what I did starting off to when I got in my senior year as far as making plays in the backfield and just being able to break down film a lot better.
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