A Quote by Lynn Coady

When writing sex scenes, there is often no pleasing anyone, except perhaps the writer herself. — © Lynn Coady
When writing sex scenes, there is often no pleasing anyone, except perhaps the writer herself.
Another sex worker and writer I respect put it this way: she said that as a writer, you're not about pleasing people, and as a sex worker it's all about pleasing people. It's all about creating this fantasy. I still feel like as a writer you actually do have put on a show. You can't just hand over your notes. And there is a degree to which you are appealing to the reader's vanity, whether you tell yourself you're doing that or not.
God bids you not to commit lechery, that is, not to have sex with any woman except your wife. You ask of her that she should not have sex with anyone except you -- yet you are not willing to observe the same restraint in return.
The very dull truth is that writing love scenes is the same as writing other scenes - your job is to be fully engaged in the character's experience. What does this mean to them? How are they changed by it, or not? I remember being a little nervous, as I am when writing any high-stakes, intense scene (death, sex, grief, joy).
I'd prefer to include sex scenes alongside the adventure scenes and everyday-life scenes, as if they were all part of the same thing. Which of course they are. Sex is not discrete from the rest of our existence.
There's less skill and more plain hard work to writing than anyone except a writer thinks.
I always feel super uncomfortable when it's like ah, there probably has to be a sex scene. I feel really bad and then always look around to see if anyone is watching me while I'm writing. I want to apologize to people who have to read those sex scenes, but I feel like it's part of the characters life, it's important.
In a sense, journalism can be both helpful and detrimental to a writer of fiction because the kind of writing you need to do as a journalist is so different. It has to be clear, unambiguous, concise, and as a writer often you are trying to do things that are more ambiguous. I find that writing fiction is often an antidote to reading and writing too much journalism.
Writers have problems writing sex scenes, because writing one really well is pornography.
I write scenes - often quite long scenes - mainly because I still get seduced into writing six lines where one and a half will do.
I'd say without a doubt I've had the most sex scenes in any television show, ever. Last season I did eight sex scenes in one day - I haven't topped that yet.
When I first started writing, there was no way I'd write a sex scene. That just seemed impossible. That's why in "Fight Club" all the sex happens off-screen. It's all just a noise on the other side of the wall or the ceiling. I just couldn't bring to write in a scene like that. So one of the challenges with "Choke" was I wanted to write sex scenes until I was really comfortable just writing them in a very mechanical way.
With sex scenes and intense scenes, in general, a lot of it is preparation before the scenes happen, so that you don't have to worry about it on set.
I'd really like to see smart sex writing, writing that can take sex apart and try to put it back together, that doesn't just put a box around "sex writing" and give it glaring neon lights but assumes that sex is part of everything else in our lives.
The hardest thing about sex scenes is that everybody is a judge. I don't know the last time you murdered somebody or blew anyone's brains out, but everyone has had sex and probably this morning, which means everyone has an opinion on how it should be done.
I have even taught classes on writing about sex, and I've looked closely at different writers' sex scenes. On the level of craft I've given it a lot of thought. The pitfalls are simple: It can sound clinical or medical, which isn't right, or pornographic, because the characters disappear.
It doesn't excite me as a writer to write some swearing or sex scenes, because they don't have any emotional content.
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