A Quote by Lynn Coady

Somewhere in our cultural subconscious, we crave these figures that are big and strong and unassailable, like masculine fortresses. It's like how the 9/11 firemen were venerated.
The business that I fell in love with was big, strong, masculine men who looked like they were fighting. They all had characters and they all could. even the worst promo guys were good.
When I first went to Milan, my agent said you have to give off a strong, masculine energy. They don't like campiness. They like boys to appear straight and to appear masculine. I quickly learned the game of it and how to navigate around it.
In the context of September 11, there were so many that lost their lives that - how do you single out one person? There were so many acts of heroism that day from so many people, whether it be firemen and police officers in New York and our agents also.
The closest fires were near enough for us to hear the crackling flames and the yells of firemen. Little fires grew into big ones even as we watched. Big ones died down under the firemen's valor only to break out again later.
The subconscious ... reacts very quickly to strong emotions or feelings. Whatever it is you vividly imagine, the subconscious thinks is actually happening. The subconscious, if instructed properly, is like a faithful, obedient servant who fulfills your every wish.
When 9/11 happened, 12 of our neighborhood firemen were killed. I looked around at the country that had adopted me and I became an American.
Our leaders are archaic masculine figures in so far as they are aggressively old-fashioned in their masculinity, people like Trump, potentially Boris Johnson.
I hate to admit it, but you can't do a role unless it's somewhere in your psyche. People don't realize how vast the subconscious is. It's like infinity.
Our band doesn't like pressure or timelines. We like to be in a casual environment where everyone is happy with their surroundings. It's not like being in Brooklyn - if you're somewhere beautiful like upstate, you can walk outside to take a moment. It's a big part of our functioning.
Women are strong, strong, terribly strong. We don't know how strong until we are pushing out our babies. We are too often treated like babies having babies when we should be in training, like acolytes, novices to high priestesshood, like serious applicants for the space program.
I like strong women - not necessarily a masculine woman - but I like strong women...say a woman who runs a C.E.O. corporation. I like a strong woman with confidence - massive confidence - and then I want to dominate her sexually.
Our task is to build cultural fortresses to protect our emerging nativeness. They must be strong enough to hold at bay the powers of consumerism, the powers of greed and envy and pride. One of the most effective ways for this to come about would be for our universities to assume the awesome responsibility to both validate and educate those who want to be homecomers -- not necessarily to go home but to go someplace and dig in and begin the long search and experiment to become native.
When you love someone more than he loves you, you'll do anything to switch the scales. You dress the way you think he'd like you to dress. You pick up his favorite figures of expression. You tell yourself that if you re-create yourself in his image, then he'll crave you in the same way you crave him.
I was making big paintings with mythological themes. When I started painting black figures, the white professors were relieved, and the black students were like, 'She's on our side.' These are the kinds of issues that a white male artist just doesn't have to deal with.
A while back there was this fad where a big star [would get] a producing credit and you'd ask around, and people were like, "No, they didn't produce, they just took the credit." I was flabbergasted. So when I started, people were weirded out by the fact that I was like, "How long is our prep? I'll come a week before that." They were like, "We're not shooting for six weeks."
I like connecting to places by foot, and I'm interested in experiencing how somewhere like Crieff connects to somewhere like London.
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