A Quote by Lynn Coady

The one thing I've always done as an author is talk to my publicists. Because they have all the best stories - and they have all the dirt on other, more famous and important writers. They're not supposed to talk about it, but sometimes you can get awesome little tidbits from them.
The people I always loved listening to had a little bit of dirt under their fingernails because they had done some living and had these stories to talk about.
I think its important to remember where I began. I know that when I talk to other writers, say, writers from the South or writers from abroad, its where they begin as children that is important to them.
I think it's important to remember where I began. I know that when I talk to other writers, say, writers from the South or writers from abroad, it's where they begin as children that is important to them.
We didn't talk about devil on the set. My mother and I didn't talk about it. Billy Friedkin and I didn't talk about it. It was a closet subject. But it was the best thing that happened because I had no idea what I was going.
I rarely talk about work with writers, and I love getting together with writers. I think writers are great to get together with, because we can talk about everything. I think that's why I enjoy it. Writers tend to be pretty open-minded, and pretty profane and loose. They have fun minds.
The best books, they don’t talk about things you never thought about before. They talk about things you’d always thought about, but you didn’t think anyone else had thought about. You read them, and suddenly you’re a little bit less alone in the world. You’re part of this cosmic community of people who’ve thought about this thing, whatever it happens to be.
To be so superfocused and honed in on one thing can be good because then you get what you're supposed to get done, done but you also miss out on other things. I could have spent more time with my family, and a million other little things.
Conversations about films are always funny. I would say a majority of people want to talk about what were the more obvious successes; the big box office films. Other people wanting to be more sensitive to you want to talk about the ones that maybe didn't make a lot of money, but they think you might have a special feeling about. And then other people sometimes want to help you by suggesting that you should have done this or that in the movie, that that would have helped you a great deal in whatever capacity.
..few writers like other writers' works. The only time they like them is when they are dead or if they have been for a long time. Writers only like to sniff their own turds. I am one of those. I don't even like to talk to writers, look at them or worse, listen to them. And the worst is to drink with them, they slobber all over themselves, really look piteous, look like they are searching for the wing of the mother. I'd rather think about death than about other writers. Far more pleasant.
Coaches can talk and talk and talk about something, but if you get it on tape and show it to them, it is so much more effective.
I always ask young writers, 'Are you certain you want to be a writer? If you're absolutely sure, then do it.' If you really want to write, writing has to take precedence over everything else, except for taking care of your loved ones. It has to be more important than any possession, more important than fame. We hear about just a few writers who get famous, but most of them don't. It's got to mean more than that.
We have to talk a little trash to sell fights, talk more, because we know we will profit more from that. It's important.
Men that talk of their own benefits are not believed to talk of them because they have done them, but to have done them because they might talk of them.
On the contrary, it's because somebody knows something about it that we can't talk about physics . It's the things that nobody knows anything about that we can discuss. We can talk about the weather; we can talk about social problems; we can talk about psychology; we can talk about international finance gold transfers we can't talk about, because those are understood so it's the subject that nobody knows anything about that we can all talk about!
Jesus modelled that we don’t need to talk about everything we’ve done. It’s like He’s saying, what if we were just to do awesome, incredible stuff together while we’re here on earth and the fact that only He knew would be enough? If we did, we wouldn’t get confused about who was really making things happen. Not surprisingly, we’d get a lot more done too, because we wouldn’t care who’s looking or taking credit. All that energy would be funnelled into awesomeness.
When you talk about the economic process of a society, sometimes we separate it into two stories. One is about monetary variables. But then, we very often assume the underlying arrangement, the other variable, is 'perfect competition,' which means people do whatever they are supposed to do.
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