A Quote by Lynn Coady

You can catch a scent in the wind - an idea, or a concept - and follow it. You can delve into your subconscious and see what happens, in a way you just can't when you're writing a novel.
E.L. Doctorow said once said that 'Writing a novel is like driving a car at night. You can see only as far as your headlights, but you can make the whole trip that way.' You don't have to see where you're going, you don't have to see your destination or everything you will pass along the way. You just have to see two or three feet ahead of you. This is right up there with the best advice on writing, or life, I have ever heard.
I think most fiction writers naturally start by writing short stories, but some of us don't. When I first started writing, I just started writing a novel. It's a hard way to learn to write. I don't recommend it to my students, but it just happens that way for some of us.
As you sow in your subconscious mind, so shall you reap in your body and environment. Whatever your conscious mind assumes and believes to be true, your subconscious mind will accept and bring to pass. Whatever you habitually think sinks into the subconscious. The subconscious is the seat of the emotions and is a creative mind. Once subconscious accepts an idea, it begins to execute it. Whatever you feel is true, your subconscious will accept and bring forth into experience.
The most prevalent way of working in photography right now is project oriented: you go after an idea. I like the old way, the intuitive approach. You follow your nose and take pictures and see what emerges. It happens after the fact.
I try to not be self-conscious in my writing process. I think it's important to just be in your subconscious mind - at least when you're starting an idea.
For me, the process of writing a novel happens mostly in your head before you actually start writing.
We reap what we sow. We are the makers of our own fate. The wind is blowing; those vessels whose sails are unfurled catch it, and go forward on their way, but those which have their sails furled do not catch the wind. Is that the fault of the wind?....... We make our own destiny.
I remember going to see 'Starlight Express' almost every birthday I had as a treat because I just loved it, and the idea that you could rollerskate in a sort of scary old theatre... It was sort of a novel concept.
Perhaps if there is anything remotely interesting about my writing style, it is this: more often than not I have no idea what the story is going to be about. Sometimes I have a fuzzy vision, or a glimpse of one scene, or a character. But mostly all I have is a random first sentence, and I follow it to see where it might go. For me, writing is the process of discovery, of gradually figuring out what happens in the story and how it ends, that makes writing an interesting process for me.
The conscious mind is the editor, and the subconscious mind is the writer. And the joy of writing, when you're writing from your subconscious, is beautiful - it's thrilling. When you're editing, which is your conscious mind, it's like torture.
Lean forward into your life... catch the best bits and the finest wind. Just tip your feathers in flight a wee bit and see how dramatically that small lean can change your life.
I'm not against people just being funny or telling stories. I don't need to delve into the soft, dark core all the time. If it happens, it happens.
I think that screenwriting probably isn't seen as writing in the same way that novel-writing is seen as writing. But I certainly don't see it that way.
I started writing novels by not thinking about actually writing a whole novel - that felt altogether too daunting. I thought out a rough idea, then wrote chapter by chapter, and then by the time I'd hit 40,000 words, it was a challenge just to see if I could get to the end.
I think there's a joy to be had in taking readers where they just don't want to go. If you are writing a properly realist novel, then don't blink. Why not see something for what it is and render it truthfully? I find it a good way of going about writing - not to blink.
Follow, follow the sun, and which way the wind blows, when this day is done. Breathe, breathe in the air. Set your intentions. Dream with care.
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