A Quote by Lynn Collins

I went to Julliard where they use a lot of voice and speech exercises. — © Lynn Collins
I went to Julliard where they use a lot of voice and speech exercises.
I went to Julliard and we did a lot of mask work there, and I remember thinking in class, 'When am I ever going to use this?
I went to Julliard and we did a lot of mask work there, and I remember thinking in class, 'When am I ever going to use this?'
The voice I use is a very old hardware speech synthesizer made in 1986. I keep it because I have not heard a voice I like better and because I have identified with it.
Ladies, use a loving voice, use a respectful voice, use a godly voice, but don't lose your voice.
I auditioned for Julliard because I wanted to live in New York, and I wanted to be on Broadway at the time. Julliard seemed like right way to get there.
At Julliard we had some voice classes. It was really just so you could carry a tune. It always just helps with your speaking voice also, when you connect your diaphragm and your breath.
Just the way my voice sounds now, it's always had this little hoarse thing to it. And I'd have to do vocal exercises to make my voice clear.
Never use a metaphor, simile, or other figure of speech which you are used to seeing in print. Never use a long word where a short one will do. If it is possible to cut a word out always cut it out. Never use the passive voice where you can use the active. Never use a foreign phrase a scientific word or a jargon word if you can think of an everyday English equivalent. Break any of these rules sooner than say anything outright barbarous.
In most Western democracies, you do have the freedom of speech. But freedom of speech is not an entitlement to reach. You are free to say what you want, within the confines of hate speech, libel law and so on. But you are not entitled to have your voice artificially amplified by technology.
I don't like to use writing assignments, exercises. I think too often people get comfortable writing in that vein, but you can't go on to write a novel comprised of short writing exercises.
Toning' exercises are not a thing. Fat-burning exercises and muscle building exercises are.
Toward the end of 11th grade, my acting teacher asked me if I was thinking about going to college. I said, 'Yeah, I think so.' He said, 'You should audition to Julliard.' I was like, 'What's that?' I'm accepted to Julliard, and I realize within the first couple of weeks just how lucky I was to be in the program.
We're always being told 'find your voice.' When I was younger, I never really knew what this meant. I used to worry a lot about voice, wondering if I had my own. But now I realize that the only way to find your voice is to use it. It's hardwired, built into you. Talk about the things you love. Your voice will follow.
I really worked very hard to bring my voice back because I used to have a good voice, and to try to do my exercises that I remember from Yale and all the things in the olden days, clearing your sinuses and all that.
There will be no more protests. No more dissension. No more violence. There will be only one voice. The voice of Ravinia. The voice of Halla. Your voice." "There goes freedom of speech," I said.
I'm still working on my speech, but I do a lot of voice-acting work. My agent is the best. I make a good living.
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