A Quote by Lynn Flewelling

If you set your story in Rome, Ireland or Sheboygan, for that matter, go there. If you're broke, set it in the town where you live, or where you grew up. — © Lynn Flewelling
If you set your story in Rome, Ireland or Sheboygan, for that matter, go there. If you're broke, set it in the town where you live, or where you grew up.
I grew up the son of a director and grew up on sets myself, so I was the kid getting dragged around from this set to that set and I loved it. There's something about it which is really interesting.
Plenty of people say my guesses about a future drought in the western U.S. (where I live and grew up) are wrong, so I don't see why I won't be wrong in some people's eyes when I go set a story on foreign shores.
So you set out to travel to Rome... and end up in Istanbul. You set off for Japan... and you end up on a train across Siberia. The journey, not the destination, becomes a source of wonder.
But the funny thing is, I broke my finger not on set doing kung fu. I broke my finger when I fell down the stairs prior to going on set.
I'm sure that Nero didn't set fire to Rome. It was the Christian-Bolsheviks who did that, just as the Commune set fire to Paris in 1871 and the Communists set fire to the Reichstag in 1932.
I really believe that the raw ingredient of any creative business is the set of experiences that the team has, the set of skills. I think a simple fact is that if you have a different set of experiences based on how you grew up or how other people perceive you, or if you have a different set of skills, that will produce a better company.
My dad grew up in Banbridge, Northern Ireland, desperate to get to London. I grew up in London, so I don't know what it's like to yearn for the big city from a small town.
I grew up in Inglewood, L.A., and South Central. I was always humbled by my situation. I would go on set and come home to my neighborhood and my block to my friends, and it would be a whole other story.
So take seriously the story that God has given you to live. It’s time to read your own life, because your story is the one that could set us all ablaze.
I think that the joke and the ghost story both have a similar set up in that you kind of set something up and pay it off with a laugh or a scare.
You know if you're in Rome, live in the Roman way. I grew up there, I was born there, and so I should follow its guidelines, live like a Korean. And I really love Korea. I grew up listening to Korean music, and was able to get to where I am because of it.
Unexpected events can set you back or set you up. It's all a matter of - perspective.
The mantra I grew up with was that no matter where you came from, hard work and education could set you free.
I was in Siena and decided I wanted to write a story set there. Then I discovered that the original story of Romeo and Juliet was set in Siena. It occurred to me that this was too much of a gift - I had to do it. That's how I ended up writing a parallel story to Romeo and Juliet.
I was very lucky to have had the opportunity to tour with the Beastie Boys and watched almost every set they played on all those dates. Why not? You do your set and then you get to see the Beasties play? Best deal in town.
I had always wanted to tell a story that was set in Los Angeles in the '50s, because that's where I grew up, and it was the city of my childhood memories.
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