A Quote by Lynn Freed
What I am saying, I suppose, is that you write as if everyone is dead. Then you face the music. I don't know any other way to keep the teeth sharp and the spirit alive.
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I know why we try to keep the dead alive: we try to keep them alive in order to keep them with us. I also know that if we are to live ourselves there comes a point at which we must relinquish the dead, let them go, keep them dead.
Half the rhymes you write, you're saying that you're better than the other MC. That's how we keep the craft sharp.
The big debate right now is if Saddam is alive or dead. He's dead, then he's alive, then dead, then alive. It's just confusing. Today they showed videotape, and Saddam was speaking at his own funeral.
It is an error to divide people into the living and the dead: there are people who are dead-alive, and people who are alive-alive. The dead-alive also write, walk, speak, act. But they make no mistakes; only machines make no mistakes, and they produce only dead things. The alive-alive are constantly in error, in search, in questions, in torment.
I think it takes a lot of trickery to keep up with the media and its perception of you. I don't know if I have it in me most of the time to care. The music is made first, and the interviews or photos to keep it alive come later as a necessary evil, I suppose.
The way I write is very much without kind of a goal. I have something I'm interested in and then I decide I'm going to explore it. I don't know where the characters are going to go, I don't know what the movie is going to do or what the screenplay is going to do. For me, that's the way to keep it alive.
I could not sit seriously down to write a serious Romance under any other motive than to save my life, & if it were indispensable for me to keep it up & never relax into laughing at myself or other people, I am sure I should be hung before I had finished the first chapter. No - I must keep my own style & go on in my own way; and though I may never succeed again in that, I am convinced that I should totally fail in any other.
Part of my big message with all this is that if you are alive, you know all you need to know about the message of classical music, because more than any other music, it is about the way life really is.
From now on I'm thinking only of me." Major Danby replied indulgently with a superior smile: "But, Yossarian, suppose everyone felt that way." "Then," said Yossarian, "I'd certainly be a damned fool to feel any other way, wouldn't I?
The way I write music for other artists is the same way I write music for myself. I'll pick up the guitar, and I'll write music, and if I don't use it, I have, like, 500 other songs. If I don't use it, I give it away.
There are probably a couple of things I'd never write about until everyone I know is dead. And then there's other stuff which nobody would want to read a book about anyway.
Let me tell you what I do know: I am more than one thing, and not all of those things are good. The truth is complicated. It’s two-toned, multi-vocal, bittersweet. I used to think that if I dug deep enough to discover something sad and ugly, I’d know it was something true. Now I’m trying to dig deeper. I didn’t want to write these pages until there were no hard feelings, no sharp ones. I do not have that luxury. I am sad and angry and I want everyone to be alive again. I want more landmarks, less landmines. I want to be grateful but I’m having a hard time with it.
I'm not afraid of being dead, that's to say there's nothing to be afraid of. I won't know I'm dead, would be my strong conviction. And if I find that I'm alive in any way at all, that'll be a pleasant surprise. I quite like surprises.
I didn't write any music at all, and then, I remember Jon Anderson being very insistent saying that there were two kinds of musicians: the ones who wrote music and the ones who didn't.
Some people are saying that my music is not for Burberry, it's not for fashion. I know where they're trying to go but if you're saying my music is only for deprived and sad people, then you're not helping me and you're not helping yourself. It's meant to be for everyone.
I believe that basically you write for two people; yourself to try to make it absolutely perfect; or if not that then wonderful. Then you write for who you love whether she can read or write or not and whether she is alive or dead.
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