A Quote by Lynn Johnston
If I was in love with someone, I would get their picture out of the school yearbook and do portraits. If I was curious about sex, I would draw pictures of it. There were no books for me to look at. Then I would go find my father's matches to burn the paper.
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Since I switched to an iPhone, I did start taking pictures of people I like. Until then, I strangely never took pictures. I think the iPhone became this space that was different enough from a "photograph," so I find myself taking pictures of daily things. If someone I dated asked me to take their picture, I would most likely find it disturbing. Perhaps nude pictures would be fun. But that would have to be on an iPhone.
If I were to draw on a paper what gym does for me, I would make one dot and then I would erase it.
My father would sit and design furniture and cabinets - he was a carpenter and cabinet maker - and I would ask for my own piece of paper and pencil. And when I would say, 'What should I draw?' he would push a cartoon under my nose and say, 'Here, draw this.' So the cartoon became a kind of focus of attention.
A lot of times, I was about to get a role, but then somebody called. The father or mother would call and a starlet would get it. If somebody is with someone and the heroine is his muse or girlfriend, then she would get the role. All this has happened to me.
Fights with my father were really quite brutal. I would not live his vision. I would not become who he wanted me to be. Everything I did was criticized. I would spend three months drawing something and show him, and he would look up from his paper and just look back down. I got no approval from him for anything I did that was creative.
When I was 12 years old, I was just horrible. My parents were ashamed to watch my matches. I would play on a court at the local club and they would watch from the balcony. They would scream, 'Be quiet' to me and I would scream back, 'Go and have a drink. Leave me alone.' Then we would drive home in a very quiet car. No one speaking to each other.
My mother was an extraordinary theater actor in Canada, and when I would finish school, I would go to the theater. I would do my homework, we would have dinner there, she would do her play, and then me and my sister would go home. So I grew up in it that way.
The problem with Deep South to me is that there was a group that were tight with the boss, and they would always go out and drink and have barbeques. Then, when WWE would say, 'Who should we look at?' Bill Demott would say, 'Oh, look at this guy and this guy.' Of course those were his buddies.
When I was in the UFC, I would get tickets for a fight, and then what I would do is go in the crowds and watch the rest of the fights. A lot of times, I would end up taking pictures and signing people's books. I didn't care if I got any money or anything. I was just there enjoying my time and watching the fights.
People get so burned out on hearing about sexism, but you know what? I would love to burn out on it. I would love to never talk about that again, but until we're all equal I shall have to fight, and remain fighting.
It's very difficult for me to look at politics with clear eyes. I'll read a story in the paper and the first thing that pops into my head is, what would my dad say about that? Then I try to break out of that and think, 'What would Said say about that,' and then it gets complicated.
If I were rich I would have many books, and I would pamper myself with bindings bright to the eye and soft to the touch, paper generously opaque, and type such as men designed when printing was very young. I would dress my gods in leather and gold, and burn candles of worship before them at night, and string their names like beads on a string.
I would walk into the Carnegie Library and I would see the pictures of Booker T. and pictures of Frederick Douglass and I would read. I would go into the Savannah Public Libraries in the stacks and see all of the newspapers from all over the country. Did I dream that I would be on the Supreme Court? No. But I dreamt that there was a world out there that was worth pursuing.
I remember when I was in school, they would ask, 'What are you going to be when you grow up?' and then you'd have to draw a picture of it. I drew a picture of myself as a bride.
It was important to my father that I go to Hebrew school three days a week for two or three hours each time. To me, it felt endless. Think about it from a kid's perspective: I would finish my normal school day, then get on a bus and go to another school. That was tough to take.
We had to go to bed by 8 P.M. My siblings and I would often play cards under the bed-sheets. But we would get caught and then were made to practise harder. My father would say, 'You need to work even more if you aren't tired enough to go to sleep.'
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