A Quote by Lynn Nottage
I'm interested in the moments where the audience is restless. I'm interested in the moments where they lean in and become incredibly engaged: the laughter, the silence. All of that is part of how I think about shaping and rewriting the play.
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People aren’t interested in the truth, Dafar. They’re interested in what keeps them safe. They’re interested in being looked after. They’re interested in a tale being spun... Mighty men have moments of great despair that common people do not want to know about.
But you know what, honestly? I'm not that interested in advertising. I think it's a great way... It's such a huge part of our culture. It's like saying, "Are you interested in hair?" It's such a part of our life, and it's such a reflection of how we feel about ourselves, and what we're interested in, and what we want to be.
I think about how we can't always live in the moment because moments pass, and when we're lucky, we have the kind of moments that we can't help wanting to go back to. We think about them, remember how they felt, and when more time passes we tell stories of these moments that are worth reliving.
In addition to listening to the audience's laugh, you want to listen to their silence. Is it bored or interested silence? The silence is quieter and filled with energy when they're interested. You can hear a pin drop. When they're bored, you can always hear it.
I feel like there are moments where musicians may be more interested - or culture in general - to show roots and where one comes from. And later there comes a time where that has lesser importance for artists, and instead they become more interested in affiliating themselves with global or international trends. Fortunately, we were in the right place at the right time, and that allowed us to experiment, play and enjoy.
I was really interested in the fact that blacks have high blood pressure, heart disease, and diabetes at a higher percentage than the rest of the population. That didn't stay very aggressively in the book, but that's how it started. I began to document these moments as support for this other thing I was thinking about, and then the moments themselves began to take over.
I'm not interested in telling a story in my photographic work. I'm more interested in freezing certain moments in time.
Take a few moments every day to sit in silence and turn your full awareness inward to connect with your Spirit. These moments of silence can occur anytime and anyplace. The more you learn to tune in wherever you are, the easier it will become.
I first became interested in 'great moments' when I read about the famous Feller-to-Boudreau pickoff play in the 1948 World series.
There'll probably be moments in my life where it seems that people will want to camp out on my doorstep, and moments when no one wants to hire me and couldn't be less interested. I've been around the circus, and it'll come and go.
I'm not at all interested in simply reporting what's here right now, or cranking out an entertainment device that's going to touch the widest number of people. I'm interested in digging and excavating as deep as I can go into those small eternal moments and how they expand out, or close in, on the lives of my characters.
From the stage, I can reach a large audience, and you learn from being on stage how much a song reaches, what extent of the crowd a song can reach. I write in a way that can reach most of the audience, but I also wanted to have truly intimate moments as well, many intimate moments, more so than the big moments.
There are moments of high mood, there are moments of low mood, there are moments of injury, there are moments of strength, there are moments of progress, there are moments of stagnation. All we can do is keep on pushing.
The next time I write a play - in order to get audience trust for a particular sort of tragic line, I'll try to bring the audience a good distance before that. Part of that is allowing comic moments to occur. I had been afraid of that - that once the audience started laughing in the play, they would never stop.
I'm interested in the relationships of people. I'm interested in the darker moments within us. All those aspects of human behavior, I'm fascinated by. But in the times we're in, those are hard movies to make. So if I can do it at HBO, fine.
I'm very interested in silence. And, more importantly, in what happens when people aren't talking on stage. I'm interested in letting actors play and do things between the lines. And in slowing everything down.
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