A Quote by Lynn Nottage

I feel like 'Sweat' arrived on Broadway at the moment that it needed to. I feel like a commercial audience was not prepared for 'Ruined' or 'Intimate Apparel' for many different reasons.
Because I feel like I can do so many different things, and people like my music for different reasons, I don't feel pigeonholed. I think people are always going to appreciate whatever direction I take.
There are many reasons I feel at home in the U.K., but if I were asked to pinpoint the moment I knew I'd arrived, it might well be when I realised the British shared my love of fritters.
I believe, and this is something I also learned from Alice Munro, that there's a moment where the personal becomes totally universal. When you see that person in their pathetic moment, that's the moment where the completely unifying sympathy with that person is possible - where you're no longer a person here and they're someone over there, and you can really feel like one, you can really feel like a human being. Or more like, you can really feel like flesh and blood, because I feel like that moment is the same thing with animals.
I'm still trying to figure out how I feel about anything at any given moment. When you feel like you've arrived somewhere, that's the real problem.
I'm ready. I feel like I can't be beat. You have to feel like that being a fighter. I just feel like this is a bigger type of energy. I feel like I've beaten so many odds. I feel kind of invincible. It's going to be a good fight.
The honest truth is no, I don't feel like I arrived. I don't feel like I'm worthy. My publicist says I'm not supposed to say that, but I don't feel I'm there yet.
I feel like I'm bipolar. I have my different moods and that. That's why my music exists in so many different worlds - this moment I'm feeling all raw, this moment I'm wanting to talk to a girl, the next moment I'm wanting to talk about spirit and be deep. Then I'm back to being angry.
The live events are more interactive for the fans. With TV, you have the cameras there, commercial breaks where the fans can tell there's a down moment. At the live events, it's non-stop. We get to play with the audience; the crowd gets to get involved a little more. It's a very intimate feel.
I feel like I'm a boy, but I don't feel like I should've been born with different parts of my body or anything like that. I feel like it's just all in how I dress and how I talk and how I look and feel, and that makes me happy.
Working with people is what I like to do. I don't feel intimidated. I always go in prepared. When you're not prepared, that's when you feel uncomfortable.
I've never had an 'I've arrived' moment. I don't like that word, 'arrived.' If you say you've arrived, then you've achieved your dream. You've done all you can. 'I'm the guy now.' I don't like that.
I'm the best player in the draft. I truly feel that way. But I feel like you can ask anybody in the draft and they would have said the same thing. I just feel like I showcased it on many levels and I was put through so many different scenarios where I had to make the best out of it. And I had a lot of success with it.
What I do feel with the different scripts that they give me where I feel like this is done for one of those reasons, I share my point of view. I don't just say, "No, thank you." I say, "I feel that this represents Latinos in a wrong way, in a bad way."
I don't feel like I need to preach to the world or nothing like that. I just feel like I share what I say, and if listeners get it, they get it. And I never underestimate the audience's ability to feel me.
I've dreamt lucidly about how my Broadway debut would go and what that would feel like, but I know that I can't be prepared for that.
I never really make a film unless I feel like it's going to be personal and intimate, but also relevant to the audience.
This site uses cookies to ensure you get the best experience. More info...
Got it!