A Quote by Lynn Nottage

For me, playwriting is sharing my experiences, telling my stories. — © Lynn Nottage
For me, playwriting is sharing my experiences, telling my stories.
I love telling stories; I always have, and I think women need to be more proactive about telling their own stories and sharing their points of view. So that's definitely a goal for me.
I love telling stories; I always have, and I think women need to be more proactive about telling their own stories and sharing their points of view.
I love hearing stories, telling stories, sharing stories. I've shared 37,000 on the Oprah show! Every day I was like the town crier.
I remember from my earliest years people speaking, you know, in a certain kind of rhythm and telling stories and sharing experiences in a way that was different in Indian country than it was other places. And I was really struck by this and obviously very affected by it, because it's always come out in my songs.
I believe sharing stories and experiences is the best way to teach people to empathize!
As an activist, you do find yourself directed more toward public action. But I've always tried to use stories from my own life in my writing for instance. It has always been clear to me that the stories of each other's lives are our best textbooks. Every social justice movement that I know of has come out of people sitting in small groups, telling their life stories, and discovering that other people have shared similar experiences. So, if we've shared many experiences, then it probably has something to do with power or politics, and if we unify and act together, then we can make a change.
I love sharing my stories and experiences with people and connecting to them on both a humorous and emotional level.
I hold back parts of my life and experiences... I don't want to share anything just for the sake of sharing and exposing myself, but if something feels right and I feel inspired by the situations or moment I'll definitely share it. There are so many stories and experiences I have not shared, and I don't feel compelled to.
In constructing our narratives, we identify which particular events or experiences were formative or transformative. In telling our stories, we also claim some authority over our own experiences and their meanings.
I don't think it's going to be possible for the next generation of writers to tell stories without telling stories about telling stories.
My real purpose in telling middle-school students stories was to practice telling stories. And I practiced on the greatest model of storytelling we've got, which is "The Iliad" and "The Odyssey." I told those stories many, many times. And the way I would justify it to the head teacher if he came in or to any parents who complained was, look, I'm telling these great stories because they're part of our cultural heritage. I did believe that.
Telling stories, making them come alive is what makes me come alive. So I try to live a life where sharing this vital search of inspiration is a must.
I think that stories, and the telling of stories, are the foundations of human communication and understanding. If children all over the country are watching films, asking questions and telling their stories, then the world will eventually be a better place.
Life is a story. You and I are telling stories; they may suck, but we are telling stories. And we tell stories about the things that we want. So you go through your bank account, and those are things you have told stories about.
For me, as a documentary filmmaker, I'm interested in telling stories of real people whose experiences tell us something about ourselves or our history, or who we are and our potential.
So writing stories is not easier in comparison to the playwriting or translation; the stories are easier in league with them.
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