A Quote by Lynn Nottage

I was really interested in the way in which poverty and economic stagnation were transforming and corrupting the American narrative. — © Lynn Nottage
I was really interested in the way in which poverty and economic stagnation were transforming and corrupting the American narrative.
Are we interested in treating the symptoms of poverty and economic stagnation through income redistribution and class warfare, or do we want to go at the root causes of poverty and economic stagnation by promoting pro-growth policies that promote prosperity?
I can tell you that too much money is corrupting American politics. Don't blame the American public. The U.S. Supreme Court has a lot to answer for, because it has made it impossible for Congress to reduce the corrupting influence of money on American political life.
I'm not interested in being perfect when im older. Im interested in having a narrative. It's the narrative that's really the most beautiful thing about women.
poverty has no causes. Only prosperity has causes. Analogically, heat is a result of active processes; it has causes. But cold is not the result of any processes; it is only the absence of heat. Just so, the great cold of poverty and economic stagnation is merely the absence of economic development.
We work harder and we earn less. Income inequality is at the highest point in over a century. While American capitalism never guaranteed success, it did guarantee opportunity, for too many, the dream of economic mobility has been replaced with a nightmare of economic stagnation.
Inflation is taking up the poverty line, and poverty is not just economic but defined by way of health and education.
We believe that the developing crisis in the capitalist system, by which we mean both economic stagnation, and the social and political conflicts to which it gives rise, makes it possible to think in terms of developing a sizeable and serious revolutionary socialist party in a way that was not possible 20 or even 10 years ago.
I went to University College London and read English literature, then realised if you were interested in story and narrative, film was the way to go.
For too many, the dream of economic mobility has been replaced with a nightmare of economic stagnation.
God is not interested in what you think you should be or feel. He is not interested in the narrative you have construct for yourself, or that others have construct for you. He may even use suffering to deconstruct that narrative.
In a general way, if one cannot attribute to the Jew the whole responsibility of the situation, economic, political, and social, by which Algeria is being strangled, it is no exaggeration to recognize him as morally guilty, for the great part of his rìle here, still more than elsewhere, has consisted in corrupting, degrading, and disintegrating.
They emphasize the viewpoint that the protracted economic stagnation in Japan derives from incomplete economic adjustments to significant changes in relative prices.
When I went to college, I majored in American literature, which was unusual then. But it meant that I was broadly exposed to nineteenth-century American literature. I became interested in the way that American writers used metaphoric language, starting with Emerson.
I know I certainly wouldn't be writing books if it hadn't been for the feminist blogosphere, and I think that's a really amazing thing. And just the sheer power of outreach I think is incredible. It used to be that if someone was to get involved in feminism, it was probably because they were already interested. They were already interested in feminism; they were already interested in being an activist, and they found their way to like a NOW meeting or to a consciousness-raising group or something like that.
Since Social Security was established by President Franklin D. Roosevelt in 1935 to ensure economic security for American workers, poverty among American seniors has dramatically declined.
Contemporary paganism gives me a subjective lens through which the world in which I live can be interpreted on an aesthetic and an ethical basis. I'm interested in narrative, myth, and story, in folklore and the way we connect to the turning of the seasons and the natural world.
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