A Quote by Lynn Nottage
What I often do when I'm writing, if I can't find that story, I go out and I hunt for it.
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I always loved digging away at the story, trying to find out things that people don't want you to find out and piecing it all together. I love the treasure hunt aspect of it, the thrill of the chase.
Often I'll find clues to where the story might go by figuring out where the characters would rather not go.
We hunt in Florida, where I live in Jay. I hunt in Alabama a little bit, on my uncle's land. I go to Illinois and hunt with some friends up there. I hunt in Mississippi and Missouri.
Perhaps if there is anything remotely interesting about my writing style, it is this: more often than not I have no idea what the story is going to be about. Sometimes I have a fuzzy vision, or a glimpse of one scene, or a character. But mostly all I have is a random first sentence, and I follow it to see where it might go. For me, writing is the process of discovery, of gradually figuring out what happens in the story and how it ends, that makes writing an interesting process for me.
I miss hunting and when I go home I always find an opportunity to go for a hunt again, out in the bush veldt.
The story is everything, so it always begins with a story.And research is a kind of scaffolding built underneath the story as I go along. My enjoyment level varies, but in general, I'm writing about topics I find interesting, so I can't gripe too much.
The story is everything, so it always begins with a story. Research is a kind of scaffolding built underneath the story as I go along. My enjoyment level varies, but in general, I'm writing about topics I find interesting, so I can't gripe too much.
I always plan the whole story in some detail, long before I start writing the actual thing. But even doing that, I find that there is plenty of room for spontaneity. Often the characters will lead the story off in a direction I hadn't originally intended!
There is no hunt in Thanet, nor is there a fox problem. There is no Tooting hunt, no Wandsworth hunt and no Clapham hunt, but we can see foxes on their streets at night. If we want to control vermin we should work out how to deal with that problem. The idea that foxhunting controls the fox population is arrant nonsense.
The story itself should force its moral upon you. You find out what the moral is by writing the story.
You learn to do your best writing on story rather than off story. Very often at the beginning of their careers, writers including me do their best dialogue writing off story - the best lines, the best observations - but they haven't got enough to do with the plot to stay in.
I myself, as I'm writing, don't know who did it. The readers and I are on the same ground. When I start to write a story, I don't know the conclusion at all and I don't know what's going to happen next. If there is a murder case as the first thing, I don't know who the killer is. I write the book because I would like to find out. If I know who the killer is, there's no purpose to writing the story.
I've had to try and find a way over the years of writing narratively that doesn't really require you to sit down and work out what the story's about. You're brought into a sort of sequence of images that have that emotional resonance, but it's kind of irrelevant what the actual story is. It's taken me maybe 13 albums or something to work that out.
I'm very physical. When I'm writing, I'm playing all the parts; I'm saying the lines out loud, and if I get excited about something - which doesn't happen very often when I'm writing, but it's the greatest feeling when it does - I'll be out of the chair and walking around, and if I'm at home, I'll find myself two blocks from my house.
I find the mediums to be incredibly different. In theatre you're telling the same story eight times a week, and in TV that story is constantly changing and you're often telling it out of order based on shooting schedules.
Don't stop. Keep right on going. Hitch up your trailer and go to Canada or down to Old Mexico. Head for Europe if you can afford it, or go to Mardi Gras. Go someplace you've heard about, where you can fish or hunt or collect rocks or just look up at the sky. Find out what's at the end of some country road. Go see what's over the next hill, and the one after that, and the one after that.
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