A Quote by Lynn Nottage

There is an enduring feeling that women can write domestic dramas but don't have the muscularity or the vision to write state-of-the-nation narratives. — © Lynn Nottage
There is an enduring feeling that women can write domestic dramas but don't have the muscularity or the vision to write state-of-the-nation narratives.
I think people assume that women write about the domestic sphere. Women write about relationships and family. Men do, too, but then it's the Great American Novel.
I think I'm interested in these kinds of character dramas, psychological dramas, domestic dramas, whatever you want to call them - comedy dramas.
You can't write a screenplay if you've been doing a zero-hours contract. Which means that the people who write drama, the people who commission dramas, and the people who direct dramas all come from a small circle of society.
When men write women, they tend to write women the way they want women to be, or the way they resent women for being. They don't really - they seldom nail it. It takes a woman to write a really good female character. I like that.
Let women write horror. Let women write darkness, let women write trauma, without having to carve out their own trauma to justify it.
Write regularly, day in and day out, at whatever times of day you find that you write best. Don't wait till you feel that you are in the mood. Write, whether you are feeling inclined to write or not.
Actually, when I write, there is a feeling of necessity, of something that is stronger than myself that demands that I must write as I write.
(W)hat I write when I force myself is generally just as good as what I write when I'm feeling inspired. It's mainly a matter of forcing yourself to write.
My dad and mom used to always say, 'Write your vision down. Write the things that you want to happen.' I would write, 'I want to make soul cool.'
Every time I'm feeling anxious, I go to my little meditation corner in my room and write down whatever I'm feeling. If I'm feeling terrible, I write that I'm feeling terrible and I accept that and I keep going, but I'm not going to wallow in that moment.
I feel like women very often do write differently than men, but women write things that men can't write.
I think, taking too long to work on a record, you sort of lose some of the feeling, so I write as fast as I can; it's just this manic phase where I'm by myself and or on tour, and I write, and I write.
I just hope this [Emmy] is now a part of the status quo that women of color are included in the narratives that continue to write lead roles for us.
I write because it is while I'm writing that I feel most connected to why we're here. I write because silence is a heavy weight to carry. I write to remember. I write to heal. I write to let the air in. I write as a practice of listening.
I write my first draft by hand, at least for fiction. For non-fiction, I write happily on a computer, but for fiction I write by hand, because I'm trying to achieve a kind of thoughtless state, or an unconscious instinctive state. I'm not reading what I write when I wrote. It's an unconscious outpouring that's a mess, and it's many, many steps away from anything anyone would want to read. Creating that way seems to generate the most interesting material for me to work with, though.
I write because I have an innate need to. I write because I can't do normal work. I write because I want to read books like the ones I write. I write because I am angry at everyone. I write because I love sitting in a room all day writing. I write because I can partake of real life only by changing it.
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